Ahoy me hearties! You’ve made a canny choice jumping aboard the good ship Bookshelf today, because as a result you get to read a post by Rosie Best, author of Skulk – foxy, new-release, young adult, urban fantasy novel that I reviewed very recently indeed….in case you missed it, you can find that review here.
So who is this Rosie Best character? Here’s the lowdown, thanks to her publisher, Strange Chemistry…
Rosie Best lives in London and loves all things nerdy. She is an editor at Working Partners Ltd, working on a huge variety of projects from first chapter books about unicorns to dark YA journeys through the land of the dead.
She’s also written for Working Partners on a freelance basis, on series published by Usborne and Hot Key Books.
The opening of Skulk won a place in the 2012 Undiscovered Voices anthology. When not writing or indulging a passion for video games, she sings with the Crouch End Festival Chorus.
And guess what else? She likes Ben Aaronovitch and Neil Gaiman too…clearly she has impeccable taste in authors, just like we shelf-dwellers.
For today’s post, Rosie is sharing a bit about why London is the perfect location for Meg’s adventures in Skulk….
Maybe it’s because I’m a Londoner, but I bloody love London town. I consider myself deeply privileged to have done most of my growing up here, and when I realised I was going to write an urban fantasy there was no question at all in my mind where it was going to be set.
Skulk is the story of Meg Banks, a girl from an upper class London family who’s out graffitiing her posh girl’s school in the middle of the night when she witnesses the death of a fox who shapeshifts into a man. She inherits his ability to shift, and soon gets caught up in a conflict between the shapeshifters and someone who’ll do anything for power.
‘Write what you know’ is advice that can seem reductive and annoying, but I ended up following it when I was writing Skulk, almost by mistake. Even though I was actually writing a story about shapeshifters and magic, I ended up naturally filling Skulk with things that fit, that I knew could be believably found somewhere within the M25. Urban foxes, the ravens in the Tower, spiders and rats, and yes, butterflies. Pigeons and fog (even though the last great London fog happened in the 1960s). Hyde Park and Waterloo Bridge, the Tower of London and the top of the Shard.
Sometimes I worried that putting in so many of the famous locations would make the book feel like a tourist’s version of London. There’s a subtle but very important difference between using the royal family and the red double decker busses and a nice cup of tea because they’re realities of life in London, and using them to suggest some kind of strangely glossy paradise full of polite white men in bowler hats.
That’s not London – the real city is staggeringly diverse, both in terms of the landscape and the people. I hope that a little bit of grit rubs off on the bright, shiny places from the less glamorous corners of this fabulous city that also made it into the book – the traveller park under the Westway flyover, Willesden Junction tube station, the dodgy part of Hammersmith.
I’ve been wondering whether Skulk could be set somewhere else, and I think it could – I can imagine the New York version, the Delhi version, the Sydney version (that one would have the biggest spiders). I think those would be cool books, but I know I couldn’t write them.
There are a couple of books I have to acknowledge as huge influences on the way I think and write about London:
Neverwhere, by Neil Gaiman – for my generation this is the book (and originally the TV series) that got half of us into urban fantasy in the first place. Richard Mayhew helps a homeless girl and discovers a whole secret world just under the surface of London life. Tube station names like Earl’s Court and Blackfriars become wonderfully literal, and all sorts of real locations feature in weird, fantasy-tinged ways.
Rivers of London, by Ben Aaronovitch – much more recent, but no less brilliant. This is the story of Peter Grant, a Metropolitan Police Officer who sees a ghost at a murder scene and finds out that magic is real and people are committing crimes with it. It’s an urban fantasy police procedural, and because the main character is an architecture nerd it comes with a healthy (and surprisingly compelling) helping of London history.
Harry Potter – this is a bit of a strange choice, because almost all of it is set in Wizarding Scotland. But JK Rowling also writes about the muggle world with an insightful truthfulness that’s just as brilliant as the wild fantastical world of Hogwarts. Plus, I love that JK created a London landmark of her very own that stuck so fiercely in people’s minds that it now really exists – at least, there’s a sign for Platform 9 3/4 and half a trolley sticking out of a wall in King’s Cross station.
If you want to read more from Rosie (and let’s face it, why wouldn’t you?), you can check out her blog at http://skulkingwriter.blogspot.com.au/ In the meantime, you should probably go and immediately get your hands on a copy of Skulk. I have made that bit easy for you – just click on the cover image at the top of the page to be taken to the Book Depository, where you can spend your hard-earned (or ill-gotten) cash*
As this post is part of a blog tour, you can multiply your Skulky pleasure exponentially by visiting other foxy bloggers over the course of the next month – just go to http://skulkingwriter.blogspot.co.uk/p/skulk-blog-tour.html and follow the trail!
Until next time,
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