Morning all! Today’s offering is a new release YA contemporary that has a bit of crazy, a bit of amnesia and a bit of romance bundled into a chunky bit of story. I speak, of course, of Oblivion by Sasha Dawn. I received a digital copy of this title from Netgalley via the publisher in return for an honest review – thanks!
In Oblivion we meet Callie (short for Calliope), a teen girl with an odd little problem. Callie has been diagnosed with graphomania, an involuntary compulsion to write, since she was found alone in an abandoned apartment feverishly scrawling the words “I killed him” all over the walls, the floor and herself. Callie also has no memory of the night she was found or the time immediately before it, and this poses something of a problem for her, as well as others, because her memories of that time may just solve the mystery of the disappearance of her father and a young girl, Hannah, who have been missing since then. With her mother in a psychiatric hospital and Callie living with a foster family, she’s having a tough time trying to fit in at her new school and keep a hold over her compulsion to write. As the anniversary of the disappearances comes closer, Callie begins to remember more and more about the events leading up to her inital episode and all memories seem to point to some very sinister happenings. With the support of new beau John, old beau Elijah and nearly-real sister Lindsey, Callie will have to face some very difficult times if she is to uncover the mystery of why she writes.
Read it if:
* you like a book that has plenty of plot and a slow reveal to keep you wanting more
* you’re a fan of romance and love polygons in your YA fiction
* you can’t go past a sinister mystery involving amnesia, flashbacks and the masterful wielding of a red ball point pen
Okay, let me start with what I didn’t like about Oblivion. Regular readers of this blog will know that I can not accurately be described as a fan of romance in YA. This book had a lot of romance. And insta-love. And not so much a love triangle as a love rectangle (or square. Or possibly a rhombus). Now, I don’t mind a bit of romance if it’s integral to the plot or it’s a bit quirky or it serves some other essential service in the story. The romance elements in this book did none of those. And they took up a lot of the book. Along with the romance bits were a lot of normal-teen-problem bits with Callie’s group of friends drinking and engaging in random sexual activities. And then there was even a bit about a big school dance. I really couldn’t see the point of any of these bits, or the enormous amount of ink spent on them and in a book this long (and boy was it long!) dispensible plot points are just plain irritating and grounds for not finishing the book.
If I had not been in a situation in which I was largely immobile for about three hours, I probably would have abandoned the book because of the excessive length caused by random stuff that just didn’t need to be included. As it was, I actually read this book in one sitting (which probably exacerbated the annoyances I felt about excessive length caused by random stuff that didn’t need to be included).
The other thing I really didn’t like about this book (and this might just be a personal quirk, so feel free to scoff at this criticism if you like) but the young male psychiatrist that Callie visits regarding her graphomania seems to me to sail very close to the wind of impropriety and unacknowledged counter-transference. No actual immapropriate behaviour is mentioned, but there’s definitely something a tad unprofessional going on there. As I said, this may be a personal quirk, but it seems that in lots of YA, psychiatrists are either portrayed as woefully ineffective and patronising, or just a little bit too interested in their patients (if you know what I mean *wink*) and this is a personal pet peeve.
Let us imagine however, that by some judicious stroke of luck, a copy of this book sans romantic bits and general teen fluff happened to land on my shelf. If this were the case, I would give this book five stars. If I discount the bits that I felt dragged the plot back, there’s not much to complain about with Oblivion. In fact, it’s really rather good. The premise is exciting and original, the mystery is complex and twisty and there’s lots of different elements – Callie’s mother, her flashbacks, where the girl Hannah fits in – that are woven together to form a very well-formed narrative. It was interesting finding out about Callie’s graphomania and the circumstances in which it manifested. It was fun trying to piece together Callie’s fragments of memory to try and solve the puzzle before the end of the story. There were some really tricky red-herrings thrown in that added an extra layer to the puzzle of why Callie’s mother was locked away.
So overall, I did enjoy this book and there was plenty in it to keep me turning pages. If, like me, you aren’t a fan of the (in my opinion) completely irrelevant romance and love polygon sections I would suggest skipping them as they come up, because it would be a shame to miss out on the intriguing mystery elements that Dawn has created here because of a bit of irritating filler material.
Oblivion is released on May 27th 2014.
Until next time,