Welcome to another haiku review. It’s Mad Martha with you today with a book that was received from the publisher via Netgalley and features a beautifully described world (of the future? Possibly) in which water has changed the shape of the earth. It is The Gracekeepers by Kirsty Logan. Here’s the blurb from Goodreads:
As a Gracekeeper, Callanish administers shoreside burials, sending the dead to their final resting place deep in the depths of the ocean. Alone on her island, she has exiled herself to a life of tending watery graves as penance for a long-ago mistake that still haunts her. Meanwhile, North works as a circus performer with the Excalibur, a floating troupe of acrobats, clowns, dancers, and trainers who sail from one archipelago to the next, entertaining in exchange for sustenance. In a world divided between those inhabiting the mainland (“landlockers”) and those who float on the sea (“damplings”), loneliness has become a way of life for North and Callanish, until a sudden storm offshore brings change to both their lives–offering them a new understanding of the world they live in and the consequences of the past, while restoring hope in an unexpected future.
Buried in the depths
Like the wreckage of worlds past
Lies the way back home
Although this book is set in a speculative future world (maybe), I want to describe it as literary fiction. The Gracekeepers is character-driven and relationship-heavy and when you get to the end, you may be left wondering what on earth just happened – or rather, what didn’t. This is one of those books where action is secondary to the exploration of the characters, their back stories and hopes for the future. While some may find this to be not their cup of tea, I was quite engaged throughout the whole story, mostly, I think, due to the excellent world-building that Logan has done here.
The basic set-up of the world is pretty simple – water has subsumed most of the land and left humans with the choice of living as farmers and gatherers in settlements or spending their life on the high seas. There is a certain animosity, or at best, distrust between the landlockers and the damplings, with damplings facing mild discrimination when on or near the land. Damplings must wear bells on their shoes, for instance, when on the land to denote their dampling status. Similarly, with land at a premium, damplings are not allowed to bury their dead on the land, but must take their deceased to a graceyard to be tended to by a Gracekeeper.
The rituals around death described in the graceyards were fascinating and imaginative and one of my favourite parts of the story was our introduction to Callanish and her solitary life, surrounded by dead, dying, or soon-to-be dying birds. The story is told in alternating points of view between Callanish and North and I appreciated the regular change of pace between the quiet reverie of Callanish and the busier experience of North and the circus.
I don’t think this book is going to be for everyone, because I did have a very strong sense of “Well that was nice – now what’s next?” on finishing. I really did feel engaged while I was reading the story but afterwards I wasn’t sure what I could take from it. If you enjoy books that are character-driven and feature strong, original world-building then I would encourage you to pick up The Gracekeepers, but be aware that it’s not a book with a pat message or typical plot piece.
Until we meet again, may all your birds be free from mourning responsibilities,