The Land of the Green Man: A Nonfiction “Five Things I’ve Learned” Review…

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Today’s book is one of those that most people wouldn’t pick up for light reading, but it is a thumping good choice for anyone planning to write a fantasy book set in England, Ireland, Scotland or Wales.  The Land of the Green Man – A Journey through the Supernatural Landscapes of the British Isles by Carolyne Larrington does exactly what it says on the metaphorical tin – and it does so in a super-accessible fashion.  I requested, somewhat warily, this book from the publisher via Netgalley and was pleased and surprised to discover a comprehensive yet not overwhelming overview of the context behind the legends that feature in many a modern fantasy novel.

Here’s the blurb from Goodreads:

The folklore of Britain abounds with local tales about the activities of one sort of supernatural being or another giants, elves, hobs, boggarts, dragons or shape-changing witches. The stories are vivid, dramatic and often humorous. Carolyne Larrington has made a representative selection, which she re-tells in a simple, direct way which is completely faithful to the style and spirit of her sources.

Most collectors of local legends have been content merely to note how they may serve to explain some feature of the landscape or to warn of some supernatural danger, but Carolyne Larrington probes more deeply. By perceptive and delicate analysis, she explores their inner meanings. She shows how, through lightly coded metaphors, they deal with the relations of man and woman, master and servant, the living and the dead, the outer semblance and the inner self, mankind and the natural environment. Her fascinating book gives us a fuller insight into the value of our traditional tales.

the land of the green man

I could actually feel my neurons connecting and reinforcing pathways as I read, so here are Five Things I’ve Learned From…

The Land of the Green Man – A Journey through the Supernatural Landscapes of the British Isles

1. If you are walking along the moors/near a church/down a back alley/across a marsh and you see a black dog, the outlook is not likely to be good. Unless of course, you are in one of the few localities in which black dogs are portents of luck and protection, rather than death.

2. If you are walking along the moors/near a church/down a back alley/across a marsh and you see a PACK of black dogs, I have no advice for you, except to say that I hope your will is in order.

3. While a shady tree may look like a promising place under which to have a noontime nap, under no circumstances should you succumb to this incredibly poor idea. 

4. If you happen to be propositioned by a beautiful suitor who you suspect is out of your league, you should probably decline the offer on the grounds that said suitor could well be a hag in disguise, hoping to ensnare you for nefarious purposes.  If, on the other hand, you are propositioned by  someone who would be lucky to make the cover of “Hag Fancier’s Monthly”, you should probably accept on the grounds that your suitor is likely to be a member of fairy royalty under some kind of curse, waiting to reward you with magical bounty aplenty.

5. Never, under any circumstances, piss off a mythical creature.

As I mentioned earlier, this book should be essential reading for anyone planning to draw on British myth and legend in their writing.  Larrington manages to deeply explore the origins of a whole range of myths and legends within the context of various localities.  She notes how certain landscapes and the people who dwell in these have put different spins on similar myths – black dogs, for instance, could be lucky or dangerous, depending on where you hang out; and the part of the country in which you live could see you with giant neighbours who are violent, or cheerfully disinterested in the lives on puny humans.

The content is divided into categories that link legends of a similar vein.  The author also notes how modern authors such as JK Rowling, Susan Cooper and Tolkien have used certain legends in their works.  Sirius Black (or Padfoot, to his friends) has obvious connections to the Black Dog stories of various regions, while The Dark is Rising sequence (among other works) makes use of a reworking of the Sleepers under the Hill legends.

Even if you’re not planning to write the next fantasy bestseller, this is a very involving read for lovers of fantasy who would like to know more about the popular legends and mythical beings that call the British Isles home.  I’m sure other readers will have a few “A-ha!” moments, as I did, upon discovering some snippet of information that showed aspects of some recent reads in a new light.

Progress toward Nonfiction Reading Challenge Goal: 17/10

Nonfiction 2015Until next time,

Bruce

 

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