Gabbing about Graphic Novels: The Park Bench…

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Today’s graphic novel is a ode to the humble park bench from Christophe Chaboute.  We received The Park Bench from Allen & Unwin for review and here’s the blurb from Goodreads:

Chabouté’s enchanting story of a park bench was first published to critical acclaim in France in 2012. Faber now brings his work to the English-speaking world for the first time.

Through Chabouté’s elegant graphic style, we watch people pass, stop, meet, return, wait and play out the strange and funny choreography of life. Fans of The Fox and the Star, The Man Who Planted Trees and Richard Linklater’s Boyhood will find this intimate graphic novel about a simple park bench – and the people who walk by or linger – poignant, life-affirming and brilliantly original.

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Target Age Range: 

Adult

Genre:

Contemporary, realism

Art Style:

Line drawings, cartoon

Reading time:

About twenty minutes in one sitting

Let’s get gabbing:

The Park Bench is a longitudinal look at the life and times of a simple park bench, as seen through the eyes of those who use it.

One might not expect a great deal of feels, as the young people say, to arise in a wordless story about an inanimate object, yet The Park Bench is chock full of poignancy and moments that are quietly heartbreaking. The book follows various folk as they interact (or not) with a simple park bench, from the young sweethearts who carve a memorial to their love into the bench, to the elderly couple who routinely use the bench to share a baked snack, to the homeless man who just wants to have a kip without being moved on by a recurrent policeman. Some characters seem to be bit players, with a very small story arc – such as the businessman who trudges past the bench on his way to and from work and the jogger who uses the bench as part of his fitness routine – while other characters’ stories unfold throughout the tale. The story of the homeless man is, I think, the most developed of the bunch and the ending to that story is both satisfying and somewhat irritating, although it does prompt reflection on the various uses to which one can put their life and the vagaries of changing allegiances.

This is a right old doorstop of a book, yet it took me a very short time to get through it, given its graphic novel format. I suspect it’s one that is meant to be flicked through again and again, to allow details that were missed the first time to come to the surface.

The ending of the park bench’s story is quite bittersweet and filled with the same sort of quiet rebellion and “coming full circle” that colour the stories of many of the characters with whom the park bench has a relationship.

Overall snapshot:

I enjoyed this one, but the sparsity of text and the need to look carefully at panels that alternate between mostly blank and filled with action may not be to everyone’s tastes.

 Until next time,

Bruce

 

Gabbing about Graphic Novels: Lint Boy

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Today’s graphic novel pick is a bit of a hybrid for fans of fables and weird creatures.  We received Lint Boy by Aileen Leijten from the publisher via Netgalley for review and here’s the blurb from Goodreads:

Lint Boy and Lint Bear live in their cozy dryer home, carefree and happy—until the day Lint Bear is snatched away by a cruel woman with a vendetta against dolls! Can Lint Boy unite a group of lost dolls to vanquish the villain and save his brother?This magical story is showcased in the stunning full-color art of this young graphic novel. A gently gothic, age-appropriate blend of Roald Dahl and Tim Burton, Lint Boy is a compelling tale of good vs. evil that will leave readers spellbound.

lint boy

Target Age Range: 

Middle grade

Genre:

Fable

Art Style:

Quirky, gothic

Reading time:

About twenty minutes in one sitting

Let’s get gabbing:

Lint Boy and Lint Bear are born from the remnants of lint floating in the dryer. When Lint Bear goes missing, Lint Boy must venture forth from the dryer in search of his best and only friend – but will he be prepared for the wickedness in the world outside the whitegoods?

This book felt like something different right from the very first page.  The setting – the inside of a clothes dryer – and the protagonists – creatures made from discarded lint – are not the most obvious candidates for middle grade fare, so straight off the bat there was some originality apparent in the story.  The format of the book is similarly different from the usual.  The narrative style is fable-like and combines small blocks of text with graphic novel style dialogue and illustrative panels.  The book is divided into chapters but these chapters are largely driven by imagery rather than text.

The story is simple enough – after Lint Boy and Lint Bear vacate the dryer it becomes apparent that they are in danger from the particularly nasty owner of the house.  The reader is given some backstory as to who this woman might be and what her motivations are for being such an unpleasant (and downright torturous) individual.  Throughout the story, Lint Boy and Lint Bear are given opportunities to break out of their everyday roles and become leaders to a band of lost and cowed toys.  The story is all wrapped up in this single volume which makes it a good choice for when you are looking for an original, interesting fantasy tale but don’t want to commit to a series.

There was definitely something missing in my reading experience of Lint Boy and I think that something was production values.  The story reminded me strongly of Ollie’s Odyssey by William Joyce, a similar beautifully illustrated story about a missing toy and a bully with a tortured past, but with much greater attention to presentation and the overall feel of the book.

While the illustrations in Lint Boy are gorgeous, the formatting of the text and dialogue – and particularly the font – didn’t quite fit the gothic style of the pictures.  This may be an “uncorrected proof” issue and might be different in the final version of the book, but as it is, the mismatch of hand-drawn illustrations and computer-generated font didn’t work for me.

Similarly, I felt that the book, while a solid read, couldn’t quite decide whether it was going to be a novel or a graphic novel and so the story suffered a little in being too sparse in parts and over-explained in others.  Personally, I would have liked to have seen Lint Boy’s story fleshed out a little more and lengthened into a middle grade novel, without sacrificing the excellent illustrations.  Alternately, getting rid of the blocks of text and making the tale a full graphic novel would have worked equally well to rid the tome of its “not one thing or another” feel.

Overall snapshot:

If the quality and depth of the story had matched the quality of the illustrations in this tome, I think I would have had to nominate this one as a Top Book of 2017 pick.  As it is, it’s still a quirky and original tale with beguiling illustrations and characters, but I was hoping for a meatier reading experience here.

I’m nominating Lint Boy for my Popsugar Reading Challenge in category #30: A book with pictures.  You can check out my progress toward all my reading challenges for 2017 here.

Until next time,

Bruce

Gabbing About Graphic Novels: Suit Your Selfie…

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It’s time to gab about graphic novels again and today’s selection is a collection of comic strips for the middle grade set.  We received Suit Your Selfie: A Pearls Before Swine Collection by Stephan Pastis from the publisher via Netgalley.  Here’s the blurb from Goodreads:

Gather ‘round the smartphone, kids! Stephan and the Pearls gang are back with a whole album’s-worth of jokes, jabs, and cringe-worthy puns.
 
Even Rat cracks a smile in this fifth Pearls Before Swine collection tailored for middle-grade readers. Witty, wacky, and occasionally wise, Suit Your Selfie is more kid-friendly fun from the New York Times best-selling author of Timmy Failure.

Target Age Range: 

Middle grade

Genre:

Humour, comic strips

Art Style:

Cartoon

Reading time:

About twenty minutes in one sitting

Let’s get gabbing:

I hadn’t come across this series before so I wasn’t quite sure what to expect.  I certainly didn’t expect the sophisticated level of humour in the comic strips, given that the blurb says that this is aimed at middle grade readers.  Perhaps they mean upper-middle grade….right at the upper end…because a lot of the content seemed a bit too grown up to appeal to middle graders.  I don’t mean that it was inappropriate for kids, but that some of the topics – like getting the address for an aunt’s funeral, the creator of the comic having a mid-life crisis and a goldfish worried about its own mortality – just seemed aimed at an older audience.  I found myself having a hearty chuckle at some of the strips because they were absolutely relatable to the struggle of adulting. The struggle is real!  Some of the vocabulary seemed too advanced to be credibly aimed at a young audience also.  This certainly didn’t mean that I didn’t enjoy the book.  In fact, I found most of the comics to be hilarious or at least chuckleworthy – I’m just mildly baffled as to why it has been labelled as “middle-grade”.

Overall snapshot:

I thoroughly enjoyed this little collection as an adult reader, so don’t be put off by the middle grade tag.  There’s plenty here for those who like their jokes one comic strip at a time…in fact, it’s exactly the kind of thing we old-timers who read newspapers would happily flick straight to the back page to read over morning coffee.

Until next time,

Bruce

 

Gabbing about Graphic Novels: Vern and Lettuce

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I’ve got a cutesy one for you today that we picked up on a recent library jaunt.  Vern and Lettuce features little vignettes in the life of Vern (a sheep) and Lettuce (a rabbit) who live in the same apartment building.  The strips were originally published in The DFC which, according to Wikipedia, is/was a British weekly kids’ comic anthology.  Anyway, the comic strips have been brought together in one edition here to form a complete story, one page at a time.  Here’s the blurb from Goodreads:

Welcome to Pickle Rye, home of best friends Lettuce the rabbit and Vern the sheep. Join them for baking, birthdays, bunny-sitting and a quest for fame in the big city!
Vern and Lettuce reach for the stars, but danger is lurking just beneath their feet…

vern and lettuce

Target Age Range: 

Middle grade

Genre:

Funny anthropomorphic animal stories

Art Style:

Cartoon cute

Reading time:

About twenty minutes in one sitting

Let’s get gabbing:

While I had seen Vern & Lettuce before on some blog or other’s list of recommended graphic novel for the younger age bracket, I couldn’t remember what it was about when I came across it at the library.  Lettuce and Vern live in a town called Pickle Rye where Vern eats grass in the park while fending off moles and Lettuce is often put in charge of her brood of younger siblings.  The first few stories in the book, which are presented one to a page, are unrelated and serve to introduce the characters and their relationship, but a little way in the comics merge into a longer tale that relates to Lettuce coercing Vern into travelling to the city to audition for a televised talent show.

I enjoyed both sections of the book.  The earlier, unconnected comics were adorable and quite funny with Vern always ending up in some baby-bunny-related predicament and the latter section of the collection presented an interesting story with some cheeky twists and turns.  I also loved the few literary and pop culture references hiding throughout (in one instance the moles makes an utterance with uncanny resemblance to Little Britain’s juvenile delinquent Vicky Pollard, while later on there’s a reference to pigeons being unwelcome on buses…a tip of the hat to Mo Willem’s perhaps?).

Overall snapshot:

This is a cute and funny collection that is a great addition to the comic literature for the younger end of the middle grade spectrum.  The stories are simple enough for younger kids to access but there are enough twists and turns for older middle grade readers to appreciate too.

Until next time,

Bruce

Gabbing About Graphic Novels: Giants, Trolls, Witches, Beasts…

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If you are like me and find fairy tales and their retellings a mite tedious without some innovative new twist or format, then you will heartily appreciate Craig Phillips eye-poppingly viewable new collection, Giants, Trolls, Witches, Beasts: Ten Tales from the Deep Dark Wood.  This beautifully presented, large format book contains ten fairy and folk tales from around the world in graphic novel format.  We received our copy from Allen & Unwin for review and here’s the blurb from Goodreads:

Diverse myths and legends from around the world, from Iceland to Poland to Japan, retold in easy-to-read glorious full-colour comic book form by a stunning Australian artist with an international reputation.

A cobbler girl tricks the Wawel Dragon, after all the king’s knights fail…
The Polar Bear King loses his skin…
Momotaro, born from a peach, defies the ogres everyone else is too scared to face…
Snow White and Rose Red make friends with a bear…

From Poland to Iceland, Japan to Germany, these ten fairytales from across the globe re-told as comics will have you enthralled. Giants! Trolls! Witches! Beasts! You will encounter them all in this visual cornucopia of a book.

giants trolls witches beasts

Giants, Trolls, Witches, Beasts: Ten Tales from the Deep, Dark Woods by Craig Phillips.  Published by Allen & Unwin, 26 April, 2017.  RRP: $24.99

Target Age Range: 

Lower Primary to adult

Genre:

Traditional fairy/folk tales

Art Style:

Cartoon realism

Reading time:

Rather than ripping through the whole thing as I normally would with a graphic novel, I read one story a night until I had finished the book.  This worked really well, because it gave me time to consider and absorb each story before moving on to the next. (So, to answer the question, it took me ten days to get through it).

Let’s get gabbing:

I love graphic novels and I am lukewarm-to-openly-hostile toward fairy tales, so one might expect that I would find my enjoyment of this book to be fair to middling, but the strong illustrative element has swung this one for me.  It seems, on reflection, to be an absolute no-brainer to liven up oft-told stories like fairy tales with vibrant illustrations but the use of full page illustrations in different frame layouts along with the traditional fairy tale style text and dialogue works incredibly well to flesh out the details and atmosphere of each story.  Some of the stories here, such as the tale of Baba Yaga, the story of Snow White and Rose Red and the myth of Finn McCool will be familiar to many readers, but mixed in with these are less typical (if you are from a European background, anyway) stories, such as Momotaro, the peach-boy and the tale of the Polar Bear King who is forced to wear a fleece of feathers.

The graphic novel format is just genius because it instantly broadens the audience of the book.  Teenagers, or older reluctant readers for instance, who might roll their eyes at the thought of reading fairy tales could easily pick up this tome without embarrassment and become absorbed in the visual appeal of the stories.  The text is in that traditional, sometimes a bit convoluted, fairy tale style and so might be a bit tricky for the lower end of the intended audience, but taken with the illustrations, this book has high appeal to a whole range of reading ages.

Overall snapshot:

I would absolutely love to see a follow up tome to this one from Phillips, with folk tales from an even wider range of cultures because the format is so readable and can so easily transfer between read-alone for confident readers, to read-aloud in a group setting, to read-together between parents and children snuggled up before bed.  What an innovative new way to present some old classics that we feel like we’ve all seen before.

Until next time,

Bruce

Gabbing about Graphic Novels: Superhero Sikhs, Robot Soldiers, Creative Crabs and an Oddbod Afterlife…

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I’ve got four graphic novels for you today mostly for the grownups, but with one helping of YA/upper middle grade fare.  I received all of these titles from their respective publishers via Netgalley for review.  Let’s get gabbing!

Super Sikh (Vol 1) by Eileen Kaur Alden, Supreet Singh Manchanda, Amit Tayal & Pradeep Sherawat

super sikh

From Goodreads:

Deep Singh aka “Super Sikh” is the world’s first modern Sikh superhero comic book. Geared toward both young adults and the young at heart, Super Sikh Comics is a not-for-profit venture supporting global literacy programs and diversity in media.

In “Super Sikh”, secret agent Deep Singh is overworked and exhausted from destroying the Taliban at night and maintaining a cover job by day. He’s a big Elvis fan, and he decides to take his dream vacation to visit Graceland (Elvis’s home). Unfortunately, a crazy Taliban group decides to follow him to America and get rid of him once and for all. But Deep Singh and his team are not going down without a fight!

Target Age Range: 

YA and adult

Genre:

Superhero, secret agents, action

Art Style:

Classic superhero realism

Reading time:

This was a short, volume 1 sampler so it only took me about five minutes to get through

Let’s get gabbing:

It took me a page or two to figure out what the go was with this story, but I’m happy to report that it got funnier the further into the story I got.  There is plenty of tongue in cheek humour here and all the secret agent tropes that you would expect, with a Sikh twist.  I particularly enjoyed the scenes in which Deep is given his new gadgets for his mission (a holiday), which included a kara (the silver bracelet that Sikhs wear) that deflects bullets!  Towards the end of this sampler, poor old Deep is unfortunate enough to be on a plane to the US when it is hijacked by Mexican terrorists and of course, nobody believes that he’s trying to save the day – he’s wearing a turban after all – and he ends up incarcerated.

Overall snapshot:

I would love to see future installments in this adventure as this sample has bucketloads of potential, truckloads of subtle, subversive humour and is doing a great service to diversity in literature.

Rust: The Boy Soldier by Royden Lepp

rust

From Goodreads:

Made to look like a boy but built for battle, Jet Jones is a robot caught in the middle of an ongoing war. While trying to save as many people as he can, Jet discovers there is more to who he is and what he was made for than he could have ever imagined. His experiences in the war set him off on a journey to learn what it means to both hero and human. It is the first adventure of many for the rocket boy.

Written and illustrated by Royden Lepp, Rust: The Boy Soldier collects the previously released prologues from the first three volumes of the critically acclaimed series Rust along with the yet to be released prologue from the upcoming fourth and final installment. Together for the first time and in an all new reading order, Rust: The Boy Soldier is the complete story of Jet Jones’s time in war and the beginning of this high octane, all ages adventure.

Target Age Range: 

YA and adult

Genre:

Sci fi, war

Art Style:

Cartoon realism – dark colour palette

Reading time:

At 128 pages, but with little text, this was quite quick to get through – about ten minutes

Let’s get gabbing:

The ending of this prologue was probably the best part of it for me – in that the last few pages really piqued my interest in Jet’s future amongst humans.  The prologue itself is mostly scenes of war, in which we are introduced to Jet, a robot soldier who has incredible powers to kill and destroy but is also capable of choosing his own path.  The prologue is mostly artwork with little text, and so it was a bit tricky to get a rounded idea of what’s going on in Jet’s early world.  It’s obvious that there is a war going on, fought by both robot and human soldiers, and at some point Jet becomes unhappy with his killing capabilities, deciding instead to pursue a different way of life.  The sepia colour palette reflects the dreary, dangerous frontlines of the war and gives the overall feel of a steampunk atmosphere.

Overall snapshot:

I would like to see the second volume of Jet’s story before making a decision on whether this graphic novel is my type of read.  Having only seen the first part of Jet’s life, which centred around war, I don’t feel like I’ve got a full appreciation for what this series is going to be about.

The March of the Crabs by Arthur de Pins

march of the crabs

From Goodreads:

All species in the world evolve…except one. Cancer Simplicimus Vulgaris, or the square crab, has suffered with the same evolutionary defect for millennia: it cannot change direction. Condemned to walk in one straight line forever, these crabs living along the Gironde estuary have largely resigned themselves to their fate. However, one seemingly ordinary summer, three crabs decide to take matters into their own claws and rebel against the straight and narrow path they have been sentenced to, upending the entire ecosystem in the process. From critically-acclaimed French illustrator and animator Arthur de Pins comes the first volume in his hilarious and touching trilogy about scuttling towards your own destiny.

Target Age Range: 

Adult

Genre:

Natural world, humour

Art Style:

Cartoony

Reading time:

Took me about twenty minutes to half an hour with a few short interruptions.

Let’s get gabbing:

Considering this is a one-track story (see what I did there?!) it’s remarkably engaging.  There are two plot lines unrolling simultaneously.  The first involves the crabs of the title – Cancer Simplicimus Vulgaris – who have ignored any attempts at evolution and are mostly (except for a few renegades) perfectly happy to be restricted to following a straight line of travel their whole lives.  The second storyline features two documentary makers who are certain that Cancer Simplicimus Vulgaris are at least as exciting as anything David Attenborough could cook up, and are intent on filming this threatened species in its natural habitat.

This is quite a funny story.  Aside from the inanity arising from the trials of a species that can only walk in a straight line, the crabby characters each have their own personalities, if not their own names.  You see, the likelihood of one crab’s path crossing another’s is so scant that the crabs don’t even bother to name themselves – what’s the point if your trajectory won’t ever bring you into hailing distance of another of your species?  I particularly enjoyed the scenes featuring a nihilistic crab who had the misfortune to be born between two large rocks.

Once the plot twist happens (**spoiler: an unlucky situation prompts a serendipitous discovery by two of the crabs) the story is suddenly plunged into action scenes which have a humour all their own.  A bombshell is dropped right at the end of this volume and I can’t imagine how life is going to change for our crusty protagonists with their new-found knowledge.  I’d like to find out though.

Overall snapshot:

I want to know what happens next for Boater, Sunny and Guitar – the three protagonist crabs – given the exciting note on which the story ends here.  If you are a fan of quirky stories and unexpectedly lovable characters, you should definitely check this graphic novel out.

Stitched #1 by Mariah McCourt & Aaron Alexovich

stitched

From Netgalley:

Crimson Volania Mulch has a problem; she just woke up in a crypt and, besides her name, has no idea of who, where, or what she is. Welcome to the Cemetery of Assumptions, a vast landscape of stones, mausoleums, and secrets. Home to monsters and mayhem, it may also hold the answers to her unknown parentage. 

Crimson is a resourceful patchwork girl and determined to find them. Along the way, she meets the mysterious Wisteria, who has a tendency to change and a witch named Parameter whose spells tend to go awry. And two boys, Simon and Quinton, who make her feel something besides lost and confused. She must battle ghosts, zombies, and monsters in order to learn where she came from and who her real “mother” is. But will she do it alone, or will she have help from her new friends and unexpected crushes?

Target Age Range: 

Middle grade/YA

Genre:

Humour, Fantasy

Art Style:

Colourful, blue-hued, busy

Reading time:

About twenty minutes

Let’s get gabbing:

This turned out to be far more cutesy in content than I would have expected given the cover, in the sense that while the characters are undead/paranormal/magical the story includes typical tropes for the upper middle grade age group, such as crushes on undead boys and squabbling amongst the girl gang.  Crimson is a bit of a mystery protagonist here in that she awakes in Assumption Cemetery with no memory of how she got there.  Luckily, she maintains quite a positive attitude despite her seeming adversity and immediately pops off to explore her surroundings, meeting some new friends along the way.

I loved the pet that turns up out of the blue as a gift for Crimson – so cute!  I also enjoyed that one of the characters is reminiscent of the Creature from the Black Lagoon, because Mad Martha is currently designing an amigurumi of a similar character – that was quite topical for we shelf-dwellers. Overall though, I was a little disappointed that while the trappings of an original, intriguing paranormal world were present, the story didn’t really use these to best effect and my final impression of the story was that the characters could have been lifted out of any old pre-teen saga.

I found the formatting a bit busy for my tastes also.  There were smaller frames within middle sized frames within large frames throughout, and I couldn’t shake the feeling that I was going to miss something on each page because there was so much going on.

Overall snapshot

I’m quite happy to leave Crimson and her friends at the end of this volume.  Even though there is some mystery remaining as to who Crimson actually is and where she came from, I don’t feel like the characters and the mystery are engaging or original enough to keep my interest.  If you know of any upper middle grade readers who like fantasy, mystery and graphic novels however, they might like to give this a try.

Well, this was definitely an interesting mix to get my teeth into and generally the quality is quite high.  Have you come across any new graphic novels lately?

Until next time,

Bruce

Gabbing About Graphic Novels: Mighty Jack…

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Today I’m bringing you another Ben Hatke graphic gem because Ben Hatke is awesome.  I picked up Mighty Jack from the library a week or two ago and I’m pleased to say I enjoyed it even more than the Zita the Spacegirl books.  It’s a big call I know, but bear with me.  Here’s the blurb from Goodreads:

Jack might be the only kid in the world who’s dreading summer. But he’s got a good reason: summer is when his single mom takes a second job and leaves him at home to watch his autistic kid sister, Maddy. It’s a lot of responsibility, and it’s boring, too, because Maddy doesn’t talk. Ever. But then, one day at the flea market, Maddy does talk—to tell Jack to trade their mom’s car for a box of mysterious seeds. It’s the best mistake Jack has ever made.

What starts as a normal little garden out back behind the house quickly grows up into a wild, magical jungle with tiny onion babies running amok, huge, pink pumpkins that bite, and, on one moonlit night that changes everything…a dragon.

mighty jack

Target Age Range: 

Middle grade and above

Genre:

Fantasy, fractured fairy tales

Art Style:

Ben Hatke style!

Reading time:

Took me about half an hour total spread over two sittings

Let’s get gabbing:

I’m going to dispense with reiterating how much I love Ben Hatke’s illustrative style and adorable original creatures and just get on with talking about the story.  Although, if you’ll indulge me, this series has a ridiculously cute little onion headed species that Mad Martha is dying to recreate in yarn, but as she doesn’t have the time just now, we’ll have to wait for that particular treat.

This is the good old fashioned kids-stumbling-upon-hidden-magic-right-in-their-own-backyard combined with meeting-a-friend-with-a-bizarrely-cool-skill style of fantasy that anyone who has loved fantasy and magic stories since childhood will definitely appreciate.  Since Jack’s mum has to work two jobs just to make ends meet, Jack is often left to look after his little sister Maddy, who is nonverbal.  When Maddy wanders off at a local market, Jack manages to find her talking to some strange people (who you will certainly recognise if you have read the Zita the Spacegirl series!!) and ends up trading his mum’s car for a box of seed packets when Maddy unexpectedly starts talking.

When the kids plant the seeds in the yard they’re in for a massive shock – because the garden that sprouts is full of sentient plants, adorable onion-headed creatures and some vines that are a bit too grabby for comfort.  When Jack’s swordplay-mastering, home-schooled neighbour Lilly (oh, I’ve only just realised that she has a botanical name…coincidence?) turns up to help out, Jack has to decide whether to trust her and let her into the family’s troubles or take the easy route and keep shutting everyone out.

I love, love, love, love this story.  Apart from the fantasy elements (enormous snails, anyone?) there is a strong subplot about acceptance, trust and the perils of relying on oneself when others are willing to contribute.  Mighty Jack doesn’t have the humorous undertones of the Zita series, relying instead on a sense of adventure and risk to drive a suspenseful, but exhilarating plot.  Once again Hatke has created female characters that are full of depth, with unexpected skills and for this reason, the book will appeal to both boys and girls.  There’s a certain echo of the Spiderwick Chronicles in this story, but Hatke has done it better.  I really can’t wait now to get my paws on the second book in the series – Mighty Jack and the Goblin King – by hook or crook.

 

Overall snapshot:

This is another brilliant addition to Hatke’s growing catalogue of work.  If you haven’t yet introduced his graphic novels or picture books to your younglings, you must really correct that oversight because these are modern classics that deserve to be re-read again and again.

Until next time,

Bruce