Room, with a Dog: Goodnight, Boy…

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goodnight boy

I’ve got some YA/adult fiction crossover for you today that is highly reminiscent of Emma Donoghue’s Room, in that it features a child imprisoned in a suburban home for reasons that aren’t exactly clear at the beginning.  We received a copy of Goodnight, Boy by Nikki Sheehan from the publisher via Netgalley and here’s the blurb from Goodreads:

A tale of two very different worlds, both shattered by the loss of loved ones. Tragic, comic and full of hope, thanks to a dog called Boy.

The kennel has been JC’s home ever since his new adoptive father locked him inside. For hours on end, JC sits and tells his dog Boy how he came to this country: his family; the orphanage and the Haitian earthquake that swept everything away.

When his adoptive mother Melanie rescues him, life starts to feel normal again. Until JC does something bad, something that upset his new father so much that he and Boy are banished to the kennel. But as his new father gets sicker, JC realizes they have to find a way out. And so begins a stunning story of a boy, a dog and their journey to freedom.

I’ve got two separate warring opinions on this book which is making it a little difficult to come to a cohesive overall feeling about it.  Goodnight, Boy is narrated by JC, a teen boy who has been adopted from Haiti by an American couple.  The story is revealed as JC talks to his dog, Boy, with whom JC is imprisoned in a kennel in the backyard of his suburban home.  As the story unfolds, the reader finds out that JC’s adoptive mother, Melanie is missing, gone away or otherwise absent, for reasons that are also unclear, and that JC’s angry adoptive father is responsible for JC and Boy’s captivity.

If you are hoping, as you read, that the reasons behind JC’s imprisonment will be revealed in a timely fashion, you will be sorely disappointed.  The reasons are not revealed until the very end of the story and by that time I was a bit baffled as to why Melanie thought leaving JC alone with her obviously abusive partner, who had expressed no liking for JC, was a good idea in the first place.  

But I digress.

The main things I enjoyed about this book were the easily readable narrative voice and JC’s descriptions about his childhood in Haiti.  The book has a conversational tone and it is easy to fall into the flow of the words and get caught up in the story, despite the constant interruptions in which JC takes issue with Boy’s doggish behaviour.  Similarly, although often sad, JC’s recounting of his childhood I found to be absorbing and fascinating and revealed much about the factors that have moulded his personality.

The thing that I found difficult about the book was that it didn’t have the shock factor of a book like Room, which dealt with a similar situation, and I felt that without this, something was lacking.  From the beginning of the story it was obvious that something seriously bad was going to happen – or possibly was already happening – but this didn’t pan out in the way I expected and I felt that the ending was a bit of an anti-climax.  Not that I’m unhappy that there was a satisfactory ending for JC and Boy – far from it – but I was hoping for a bit more suspense and emotional turmoil than was delivered.

I think I would have preferred it had the book had a second story thread, narrated by Melanie or her husband, to flesh out some of the issues and heighten the suspense.

Overall I found this to be an interesting read with some original qualities, but it didn’t quite stand out as a stellar story for the reasons I’ve mentioned.

I am submitting this one for the Popsugar Reading Challenge in category #31: a book where the main character is a different ethnicity to you.  You can check out my progress toward all my reading challenges here.

Until next time,

Bruce

 

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TBR Friday: Greenglass House

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TBR Friday

I’m struggling to keep the momentum up this last month for the Mount TBR Challenge 2017, but I’m very pleased to announce that I’ve finally knocked over Greenglass House by Kate Milford which has been on my TBR list since I pre-ordered it in 2014.  Never mind that it took two years to arrive, but that’s another story.  Let’s crack on.

greenglass house

Ten Second Synopsis:

Milo and his parents are settling in for Christmas at their historical inn when a collection of strangers arrive unannounced for a prolonged stay. At first it seems the travellers aren’t connected but after Milo and his friend Meddy begin investigating, it appears that all of these disparate people are at Greenglass House for the same reason.

Time on the TBR Shelf:

Technically since mid-2014, physically since October 2016.  See below for details.

Acquired:

I first put this on pre-order at the Book Depository back in mid 2014, when it was originally released.  I put the pre-order on the paperback, which was releasing in the middle of 2015 because I’m cheap and  I figured I could wait that long.  Then the release date got pushed out to September of 2015.  I was tetchy, but accepted this.  THEN the release date got pushed out to September 2016!  It arrived in October 2016.

Reason I haven’t read it yet:

Because it only arrived seven months ago.  Obvs.  Also, it’s quite hefty, so I had to find make time to fit it in.

Best Bits:

  • Greenglass House is a hefty, prolonged mystery.  The mystery is drawn out and is also quite cerebral, since the players in the mystery are confined to one house in bad weather.  The story does has some echoes of the golden age of crime fiction about it, but since no crime has been committed (at least at first), it also has the feel of a fun, imaginative adventure game.  I’ve heard it compared to The Westing Game and there is definitely a similarity in the plotting, but Greenglass House doesn’t have the urgency or high stakes of that book and so is a bit cosier overall.
  • Tabletop roleplay gaming is a big feature of the story, with Milo and Meddy taking on characters as they solve the mystery.  Milo’s blackjack/escaladeur character, Negret, allows Milo to think outside the box and take risks that Milo himself normally wouldn’t, while Meddy’s Sirin, a scholiast, or invisible angel type character has a great significance to the story that didn’t strike me until close to the end of the book.
  • Because there are only two child characters in a house of adults, the book avoids annoying middle grade tropes and gets down to brass tacks as the kids use all their cunning and game-smarts to uncover the adults’ secrets.
  • The adult characters tell stories throughout the book, so we are treated to stories within the greater story and you can be sure each of these stories drops some clues about the adults who tell them and secrets they might be hiding.
  • The story, house and myths about the area feel like they could really be true, which adds a sense of realism to the magical realism.
  • Milo’s parents are ordinary people – hooray!  It’s so rare to have parents in middle grade stories that are (a) present (b) completely normal (as opposed to being gods, magicians, spies or generally not what their children think they are) and (c) involved in their child’s life.  I also liked that Milo is adopted, which plays something of a role in the story, but isn’t the big clincher – just a part of who he is.
  • The book is set at Christmas, but has very little to do with Christmas, and so is a perfect choice for when you want that Christmas time feeling without having to actually read about Christmas.

Less Impressive Bits:

  • Greenglass House is a hefty, prolonged mystery.  That means that the pacing is quite slow and discoveries are rationed out over the course of the book.  While I enjoyed the read and was absorbed throughout, I won’t be picking up the sequel straight away.  I’ll need some time to decompress before I become sucked into the second mystery in the series.
  • There is a twist toward the end of the book that I didn’t see coming and although I came to terms with it reasonably quickly, I felt a little betrayed that the author had taken such a route when the rest of the book seemed so authentic and grounded (barring the smugglers, strangers, thieves, spies and customs officials).  I’ll have to wait and see how it pans out in the second book before I make too many judgments though.

On reflection, was this worth buying?

Yes, because it is highly unlikely that I would have ever borrowed such a hefty book from the library.  To balance that out though, I’m not sorry I had to wait so long before getting to it.

Where to now for this tome?

The permanent shelf…for now.

I’m also submitting Greenglass House for the Popsugar Reading Challenge 2017 in category #35: a book set in a hotel.  You can check out my progess toward all my 2017 challenges here.

Until next time,

Bruce

Scaling Mount TBR: My Name is Leon

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This one may have only been on my TBR list for six months, but by gum it feels good to knock it over anyway.  We received a copy of My Name is Leon by Kit de Waal from the publisher via Netgalley, and here’s the blurb from Goodreads:

A brother chosen. A brother left behind. And the only way home is to find him.

Leon is nine, and has a perfect baby brother called Jake. They have gone to live with Maureen, who has fuzzy red hair like a halo, and a belly like Father Christmas. But the adults are speaking in low voices, and wearing Pretend faces. They are threatening to take Jake away and give him to strangers. Because Jake is white and Leon is not.

As Leon struggles to cope with his anger, certain things can still make him smile – like Curly Wurlys, riding his bike fast downhill, burying his hands deep in the soil, hanging out with Tufty (who reminds him of his dad), and stealing enough coins so that one day he can rescue Jake and his mum.

Evoking a Britain of the early eighties, My Name is Leon is a story of love, identity and learning to overcome unbearable loss. Of the fierce bond between siblings. And how – just when we least expect it – we somehow manage to find our way home.

my-name-is-leon

There is a certain charm to books for adults that feature a child protagonist and My Name is Leon certainly exhibits that charm throughout.  Leon is an immediately likable lad, with his fierce loyalty to his mother despite her obvious flaws and unfathomable depth of love for his baby brother Jake.  His foster carers, Maureen and then Sylvia, are also lovable in different ways, while the folk from the allotment grow on the reader with every interaction.  The laid-back but determined Tufty steps in as a replacement father figure for Leon in some ways and while Mr Devlin has a few odd behaviours on the outside, he proves himself to be one who can be counted on in a pinch.

The main focus of the story of course, is Leon’s up-and-down life as he bounces between foster homes, loses his brother to adoption and waits for his mother to get his act together.  This alone would have been a rich vein to mine, but de Waal has also included a sideplot about race riots that, while relevant to Leon and his situation, seemed slightly out of place with the tone of the rest of the story.  Having said that, it does provide a rather exciting end to what could have otherwise been a reasonably predictable story arc!  I would have liked to see a bit of information about this part of the story in an author’s note – were the events based on actual events, and if so, where and when and in what social context did these happen?  If not, why were they included?

Overall, this is an uplifting story that shows the reality of many foster children’s lives today, even though it is set in the 1980s.  The story did feel a bit hefty at times, particularly in the middle, as Leon is developing his relationship with the folk of the allotments, but the richness of the relationships developed between the characters is a satisfying pay-off for this.

Until next time,

Bruce