Gabbing about Graphic Novels: The Park Bench…

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Today’s graphic novel is a ode to the humble park bench from Christophe Chaboute.  We received The Park Bench from Allen & Unwin for review and here’s the blurb from Goodreads:

Chabouté’s enchanting story of a park bench was first published to critical acclaim in France in 2012. Faber now brings his work to the English-speaking world for the first time.

Through Chabouté’s elegant graphic style, we watch people pass, stop, meet, return, wait and play out the strange and funny choreography of life. Fans of The Fox and the Star, The Man Who Planted Trees and Richard Linklater’s Boyhood will find this intimate graphic novel about a simple park bench – and the people who walk by or linger – poignant, life-affirming and brilliantly original.

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Target Age Range: 

Adult

Genre:

Contemporary, realism

Art Style:

Line drawings, cartoon

Reading time:

About twenty minutes in one sitting

Let’s get gabbing:

The Park Bench is a longitudinal look at the life and times of a simple park bench, as seen through the eyes of those who use it.

One might not expect a great deal of feels, as the young people say, to arise in a wordless story about an inanimate object, yet The Park Bench is chock full of poignancy and moments that are quietly heartbreaking. The book follows various folk as they interact (or not) with a simple park bench, from the young sweethearts who carve a memorial to their love into the bench, to the elderly couple who routinely use the bench to share a baked snack, to the homeless man who just wants to have a kip without being moved on by a recurrent policeman. Some characters seem to be bit players, with a very small story arc – such as the businessman who trudges past the bench on his way to and from work and the jogger who uses the bench as part of his fitness routine – while other characters’ stories unfold throughout the tale. The story of the homeless man is, I think, the most developed of the bunch and the ending to that story is both satisfying and somewhat irritating, although it does prompt reflection on the various uses to which one can put their life and the vagaries of changing allegiances.

This is a right old doorstop of a book, yet it took me a very short time to get through it, given its graphic novel format. I suspect it’s one that is meant to be flicked through again and again, to allow details that were missed the first time to come to the surface.

The ending of the park bench’s story is quite bittersweet and filled with the same sort of quiet rebellion and “coming full circle” that colour the stories of many of the characters with whom the park bench has a relationship.

Overall snapshot:

I enjoyed this one, but the sparsity of text and the need to look carefully at panels that alternate between mostly blank and filled with action may not be to everyone’s tastes.

 Until next time,

Bruce

 

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Dragon’s Green: World-building, Magic and Bookishness…

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Dragon’s Green by Scarlett Thomas.  Published by Allen & Unwin, 24th May 2017.  RRP: $19.99

When you churn through as many books as I do during a year (and even I have to admit that my reading is a tad excessive) it’s rarer and rarer to come across a story that feels truly different.  Particularly in the middle grade fantasy bracket, it’s safe to say that many stories follow similar themes, tropes and imaginings.  This isn’t necessarily a bad thing – we all love a story with familiar themes and fantastical worlds whose workings are easy to understand – but whenever I come across a book that feels a little different, there’s always a spark of excitement that flares to life in my stony chest.  So it was with Dragon’s Green by Scarlett Thomas, which we received from Allen & Unwin for review.  Here’s the blurb from Goodreads:

‘Some people think opening a book is a simple thing. It’s not. Most people don’t realise that you can get truly lost in a book. You can. Especially you. Do not open any of these books without my permission, Euphemia.’

Effie is a pupil at the Tusitala School for the Gifted and Strange. When her grandfather becomes ill she discovers she is set to inherit the family library. The more she learns about it the more unusual it is. Before she knows it, her life is at risk from dark forces from this world and beyond, intent on using the books and the power they contain.

With her grandfather gone and the adult world ignoring her, can her unreliable classmates help save her life?

Packed with puzzles, curses, evil nemeses and a troupe of beguiling heroes, Dragon’s Green is an adventure novel for children about the nature of magic.

This blurb is a little misleading, because it makes Effie’s story sound just like every other hero of every other middle grade fantasy ever written.  There are multiple ways in which Dragon’s Green sticks out from the pack and I will detail them now for you (you’re welcome!).  First up, the blurb makes no mention of the world in which Effie lives.  The story is set firmly in a world very like our own…however it is a speculative world (of the future?) in which a Worldquake – like an earthquake but affecting the entire globe at once – has knocked out the internet and general access to electricity and everyone is now reliant on archaic technologies to communicate (hello walkie talkies!), conduct research and generally get along.  This worldquake and its effects are mentioned a number of times, but we are never privy to its causes or its place in the scheme of this world.  I expect this will be expanded upon in further books.

Then there’s the Otherworld.  There’s the Realworld (our world, Effie’s world, for want of a better term) and the Otherworld.  The Otherworld runs on magic and renewed access to it has some connection to the Worldquake, but this connection is not entirely clear.  Again, I expect this will become more apparent in later books.

The Realworld and the Otherworld exist independently to each other for the most part, unless an individual has the ability to perform magic.  In this aspect, the book takes a bit of a Potter-esque approach, in that magic is known about (on some level) by non-magical people, but not talked about.  The world of those possessing magic is complex.  There are multiple roles or talents that the magically endowed could be born with – mage, witch, hero, warrior, healer, scholar – as well as magical objects (called boons) that can enhance the abilities of the magical.

Finally, the link between the Realworld and the Otherworld has a strong dependence on BOOKS!  (Hooray!)  Books (certain books, not every book) provide a portal to the Otherworld for certain readers and as such are sought after by the Diberi, a sect of magical individuals who wish to harness the power of being the Last Reader of certain books.

Have I convinced you yet, that this isn’t your average “kid-discovers-they-have-magic-powers-and-embarks-on-an-action-packed-and-mildly-humorous-quest-to-save-the-world” story?

Dragon’s Green felt refreshingly grown-up in its approach to the narrative.  Effie is not hapless and bumbling, stumbling upon the answers as she develops her power and a belief in her own abilities.  She is confident, innovative and knows when to delegate.  The four supporting characters, who throughout the story grow to become friends, have backstories that are explored in enough depth to make the characters seem authentic and their motivations believable.  There are multiple plot-threads that interact with and affect each other and far too many puzzles have been raised in this initial book to be resolved by the end of the story.  Essentially, the story feels like it comes with a history that we don’t necessarily know yet…but it will be revealed by the end of the trilogy.

This book was a bit of a sleeper for me.  I was interested from the beginning, but I didn’t really appreciate the originality and complexity of the story until I was deep into the final third.  Dragon’s Green is a book that celebrates thinkers of all persuasions, not those who rush into situations with reckless abandon.  Even the warrior character is clearly a lad with the brains for strategy and a backstory to hint at more depth than one would expect of a rugby-playing troublemaker.  I also absolutely loved the way that another supporting character, Maximillian’s, talents have been revealed here and the hint that good and evil are not necessarily clear cut.

As an aside, the dustjacket of the hardback edition that I received had a little sticker proclaiming “This Book Glows in the Dark!” so I checked and it does.  When left in a dark room, the cover turns into a delightfully atmospheric green overlay featuring the moon and the book title.  Unusually, this edition has gorgeous illustrated endpapers inside a misleadingly plain purple cover.  Nice touches, I thought, and ones to make this book a keeper.

It took me a while to come to this decision, but I have to nominate Dragon’s Green as a Top Book of 2017 – it’s got too much going on to be left languishing with your common-or-garden middle grade fantasy.

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Do yourself a favour and grab a copy today! Or, you know, once pay day rolls around.

Until next time,

Bruce

YAhoo! It’s a #LoveOzYA Review: Frogkisser!

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Frogkisser! 

Who could go past a title with such an alluring and obvious exclamation mark in the title?

Not us, that’s for sure.

Especially when it is penned by Australian YA and fantasy powerhouse Garth Nix.  We received a copy of Frogkisser! from Allen & Unwin for review and here’s the blurb from Goodreads:

The Last Thing She Needs Is a Prince.

The First Thing She Needs Is Some Magic.

Poor Princess Anya. Forced to live with her evil stepmother’s new husband, her evil stepstepfather. Plagued with an unfortunate ability to break curses with a magic-assisted kiss. And forced to go on the run when her stepstepfather decides to make the kingdom entirely his own.

Aided by a loyal talking dog, a boy thief trapped in the body of a newt, and some extraordinarily mischievous wizards, Anya sets off on a Quest that, if she plays it right, will ultimately free her land-and teach her a thing or two about the use of power, the effectiveness of a well-placed pucker, and the finding of friends in places both high and low.

With Frogkisser!, acclaimed bestselling author Garth Nix has conjured a fantastical tale for all ages, full of laughs and danger, surprises and delights, and an immense population of frogs. It’s 50% fairy tale, 50% fantasy, and 100% pure enjoyment from start to finish.

frogkisser

Although Nix’s work is often touted as YA, it fits just as neatly into the plain old fantasy category, to be enjoyed by readers of all ages.  Frogkisser! is no different in this regard, for while it features a reasonably young protagonist, it’s packed full of adult characters (temporarily transformed into animals and otherwise) and is reminiscent of the work of Terry Pratchet and Piers Anthony (although much less punny and of much higher quality than the latter).

Anya is the second-eldest princess in her castle which is ruled over by her stepmother and stepstepfather after the death of both her parents…at different times…which explains why she has two stepparents.  Her older sister Morven is due to inherit the kingdom of Trallonia and become ruler when she comes of age, but is reasonably vacuous and distracted by handsome princes, and their stepstepfather, the evil Duke, is using his sorcery to keep her that way so that he can take over the kingdom.  Anya, being another roadblock for the megalomaniacal Duke, leaves on a quest to transform one of Morven’s suitors, Prince Denholm, back from the frog form into which he has been spelled, and thus avoids (by a slim margin) being murdered in her bed.

The story features all the types of characters you’d expect from a comedy-fantasy, with talking royal dogs (my favourites), a thief-turned-into-a-newt, an otter turned into a human-otter-thing, good wizards, retired wizards, dwarves, giants, thieves and witches, among others.  The tone is light throughout, even during the suspenseful parts, and doused with dry humour (if it’s possible to be doused with dryness, that is).  The plot is quite episodic as these stories often are, with Anya having to meet and overcome a variety of quirky stumbling blocks along her road toward the ingredients for frog-transforming lip balm.

The best thing about this book is that Anya, initially, is completely out for number one – in a self-focused, rather than self-centred way – and along the way she must ponder whether or not it is worth it for her to get involved in the bigger issues facing the kingdoms and their citizens.  Issues about justice in governance, the rules of succession and the obligations of richer people to poorer people, for instance. Underlying the entertainment factors of fantasy and humour in the story is a subtle exploration of privilege, and the responsibilities (if any) that the more privileged in society have toward those without power and without the means to gain agency in their own lives.  Nix has been a bit clever here, popping such a topical issue neatly into a fun and fantastic jaunt through another world.

Tropes about princesses are both reinforced and turned on their head in the story, with Anya’s and Morven’s paths diverging, but in ways that make sense for the respective characters.  I actually understood Morven’s vibe to an extent, because we have our own Prince Maggers who turns up on our back deck most days to regale us with delightful tunes.

I enjoyed reading this story because of the familiarity of the humor and fantasy elements and the original, yet slightly expected, characters.  I mean, you can’t really have a fantasy quest without at least one animal transformed into a human or vice versa, can you? Having said that, Gerald the Herald (all of them) gave me a good chuckle every time he/she/they appeared. Frogkisser! is certainly a change of pace from Nix’s Abhorsen series but at the same time another worthy addition to Australian fantasy and YA writing.

I will be submitting this one for the Colour Coded Reading Challenge 2017Colour Coded Reading Challenge 2017.  You can check out my progress toward my reading challenges herehere!

Until next time,

Bruce

 

Picture Book Perusal: Two Titles That Deserve a Closer Look…

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This post should probably be a Reading Round-Up, but the two titles that I have for you today are worthy of a slightly more specific examination.  We received both from Allen & Unwin for review and there are some absolute delights here that drew the mini-fleshlings in and had them fully engaged in the reading experience.

Allow me to introduce to you Neon Leon, a chameleon with a slight camouflage-skills issue and a TOP BOOK OF 2017 PICK recipient from we Shelf Dwellers!

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Neon Leon by Jane Clarke & Britta Teckentrup.  Published by Allen & Unwin, February 2017.  RRP $19.99

Created by Jane Clarke & Britta Teckentrup, this delightful book is chock-full of subtle interactive prompts and colour bursts that will knock your socks off.  The picture above doesn’t really do the cover justice, because Neon Leon is most definitely an eye-burstingly bright pinky orange neon colour in the flesh, so to speak.  From the endpapers, that are so bright fluro they will make your ears bleed, to the hilarious incongruity of Leon sticking out like the proverbial sore thumb in various environments, this is a book that begs to be viewed again and again.

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I got a bizarre shiver of delight looking at each new habitat and appreciating how the illustrator has juxtaposed the stark stand-outedness of Leon with the skillful camouflage of his friends against beautifully textured backgrounds of leaves, rocks, sand and moonlight.  Aside from all the other interactive elements of the story (which I’ll get to in a minute), it would be great fun for mini-fleshlings to see if they can find all the non-Leon chameleons hiding in each page spread.

Now, about that interactivity!  This story isn’t your typical picture book story.  It is narrated in a style that truly involves the reader by asking questions and inviting readers to join in by guessing where the chameleons might be going or what they might be feeling.  There are also prompts for readers to say or do particular things at certain points in the story.  The youngest mini-fleshling in the dwelling, at three years old, absolutely LOVED whispering to Leon, “Don’t worry Leon, everything’s going to be okay” when instructed during a slightly sad point of the story and subsequently clapping and smiling with Leon as he finally finds what he is looking for. As well as being a fun read aloud between parents and mini-fleshlings, the interactivity of the reading experience makes this one a perfect choice for library or classroom storytime.

The final few pages will blow you away with the scale of the brightness in the illustrations and it’s almost impossible not to feel uplifted with such a whimsically charming ending coupled with the glorious colours.  We on the Shelf highly recommend Neon Leon as one of those rare and special picture book experiences.  In our opinion, it’s unmissable!

Another interactive book that has definitely piqued our interest is Town and Country: A Turnaround Book) illustrated by Craig Shuttlewood.  This innovative title is designed to be read both right side up and upside down, allowing youngsters to compare and contrast two different environments – in this case, the urban, town environment and the country.

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Town and Country (A Turnaround Book) by Craig Shuttlewood.  Published by Murdoch Books Australia, February 2017.  RRP: $19.99

 

The cover of this one basically sums up what you can expect from this book.  Look at the book one way, then flip it upside down and hey presto – a new scene emerges!  The book is designed a bit like a search-and-find tome, with each spread featuring a box with a selection of “town” or “country” things to find in each respective illustration.  In a clever twist, some things can be found in both the town and the country scenes, prompting discussion on how these particular things might be used (or, in the case of animals, be behaving) differently in each environment.  For instance, a rabbit in a country setting might be spotted frolicking in the woodlands, whereas the same rabbit in an urban setting might be seen inside a hutch.

The double spreads each have a different focus – occupations, trees and flowers, food, machinery and so on – so by the end of the book, readers will have absorbed a significant amount of non-verbal information about the two different environments.  The illustrations are absolutely adorable and there is plenty of humour to be found hidden in each image.

Initially, I began using the book as intended with the two mini-fleshlings, trying to find each specific image and discussing what was different about the two settings, but the elder mini-fleshling (six years old) quickly lost interest in that and we instead had a whale of a time poring over each image with the mini-fleshlings trying to find “themselves” in each picture.  Exchanges such as the following:

“You’re the busdriver!”

“No I’m not!”

“You’re abseiling from the helicopter”

“No I’m not!”

“YOU’RE THE ELEPHANT DOING A POO IN THE ZOO!”

“No, I’m NOT!”

“Yes you are!”

– pretty much sums up the engaging experience the mini-fleshlings had while poring over the illustrations in Town and Country.  We are all for picture books with innovative and interactive formats here on the Shelf and would definitely recommend this one to classroom teachers, librarians and anyone who has a need for picture books that combine information with fun.

Until next time,

Bruce

 

 

Some Spooky Shorts for your Halloween: The Travelling Bag and Other Ghostly Stories…

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The Travelling Bag and Other Ghostly Stories by Susan Hill. Published by Allen & Unwin, October 26, 2016. RRP: $24.99

Any self-respecting fan of contemporary ghost story writing will immediately notice the vintage creepy charm of a cover design style that is synonymous with Susan Hill.  Having read and enjoyed The Small Hand a number of years ago, I decided to put Hill’s work on my radar and so was happy to receive a copy of The Travelling Bag and Other Ghostly Stories from Allen & Unwin for review, just in time for Halloween.  Here’s the blurb from Goodreads:

From the foggy streets of Victorian London to the eerie perfection of 1950s suburbia, the everyday is invaded by the evil otherworldly in this unforgettable collection of new ghost stories from the author of The Woman in Black.

In the title story, on a murky evening in a warmly lit club off St James, a bishop listens closely as a paranormal detective recounts his most memorable case, one whose horrifying denouement took place in that very building.

In ‘The Front Room’, a devoutly Christian mother tries to protect her children from the evil influence of their grandmother, both when she is alive and when she is dead.

A lonely boy finds a friend in ‘Boy Number 21’, but years later he is forced to question the nature of that friendship, and to ask whether ghosts can perish in fires.

This is Susan Hill at her best, telling characteristically flesh-creeping and startling tales of thwarted ambition, terrifying revenge and supernatural stirrings that will leave readers wide-awake long into the night.

If this was the first Susan Hill book I had encountered and I read this collection in the traditional fashion (that is, from front to back), I might be forgiven for discarding this book halfway through as sub-par in quality.  As this is not my first Susan Hill book, I persevered and am very glad I did so because oddly enough, the final two stories of the four far outshine the first two in psychological creepiness and general paranormal entertainment.  But let us address each of the stories in turn, in the traditional fashion; that is to say, from front to back.

The collection opens with The Travelling Bag, a  story of professional betrayal and revenge told from a third person’s perspective and set in Victorian times.  This one certainly felt like it was going to be a spine-tingling paranormal winner, with a mystery immediately set up and the listener (as well as the reader) left in suspense for a spell.  The actual reveal felt a bit light for me though and I didn’t contract any of the sense of fear that the main character was supposedly feeling.  Overall, this story had a strong build-up, but petered off at the end.

Next up is Boy Twenty-One, which I thought I might enjoy the most, but ended up completely forgetting about as soon as I’d read it.  The story is set in a boarding school and centres around the friendship of two lonely boys.  This one felt as if it was either unplanned or unfinished – as if the author had a number of options with how to link the threads of the story together, but couldn’t decide which would be best and so ended up finishing the story abruptly with no real answers and no particular sense of mystery.  I literally did find this story so forgettable that I couldn’t remember anything about it before writing this review even though I’d only just finished the book a day or two ago and I had to go back and flick through it again.

Happily, the third story, Alice Baker, finally employs some good old-fashioned creep-factor with a ghostly, mind-twisty traditional sort of tale about the workers in a women’s typing pool (or similar).  This story has more of what you would expect from the term “ghost story” with obvious clues left about for clever readers, a slow build and the inevitable abrupt shock and reveal.  The ending probably won’t be much of a surprise to anyone who has ever read (or heard) a ghost story before, but there is something deliciously delightful about being drawn along with a character on a path toward certain fright.

The final story, The Front Room, was far and away the best of the lot in my opinion, employing psychological twists, and playing on familial and religious themes in all the right places to evoke the shiver-down-the-spine effect.  In this story, an ordinary family are inspired, after hearing their pastor’s weekly sermon about charity, to invite the husband’s elderly step-mother to live with them.  The tale takes the stereotypical “evil stepmother” trope to a whole new level, ending with a surprise and a lingering feeling of ickiness that will have you reconsidering inviting anyone to your place ever again.

On the whole, the final two stories of the collection really saved this one for me and with the first being passable, I’d have to say that this is another enjoyably scary offering from Susan Hill.  Others may have different opinions about Boy Twenty-One (and I’d love to hear your take on it if you’ve read it!), but if that story had been left out or replaced, this is definitely a book I would rave about.  As it stands, if you are looking for a suitably quick and frightening story to get you in the mood for Halloween, you should find what you are looking for in The Travelling Bag and Other Ghostly Stories.

Until next time,

Bruce

Bruce’s Reading Round-Up: The “Win an MG or YA title!” Edition (with an Aus only giveaway!)

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Well, it looks like this week shall henceforth be known as “Bruce’s Mega Awesome Week of Giving Stuff Away” because in addition to my participation in the Stuck in a Good Book Hop (international), I’ve got a giveaway for Australian residents today, another giveaway for Australian residents on tomorrow (with a prize for adult readers this time), and I’m participating in a completely new international Hop on Friday, for internationals who wish to win stuff.

Whew!

Before I launch into our Round-Up, let me just say that if you are an Australian resident, I am giving you the opportunity to WIN one of the books I am reviewing today – huzzah!  

To enter, just comment on this post with the title of the book you would like to win.  

The winning comment will be chosen by a random number generator at the end of the giveaway.  The giveaway will run from now (go!) until midnight on Sunday the 16th of October, 2016, Brisbane time.  We’re NOT on daylight savings, by the way.  

Good luck!

Now, on to the books!

Swarm: Zeroes #2 (Scott Westerfeld, Margo Lanagan & Deborah Biancotti)

*We received a copy of Swarm from Allen & Unwin for review*

Two Sentence Synopsis:  

Swarm by Scott Westerfeld, Margo Lanagan and Deborah Biancotti.  Published by Allen & Unwin, 28th September, 2016.  RRP: $19.99

Swarm by Scott Westerfeld, Margo Lanagan and Deborah Biancotti. Published by Allen & Unwin, 28th September, 2016. RRP: $19.99

The Zeroes are trying to make a safe space in which to explore their new-found powers, but their world is shattered by the appearance of two newcomers who seem to have no regard for ordinary people. Not only that, but they look like they’re bringing danger in their wake.

Muster up the motivation because…

…given the hype that surrounded Zeroes, the first book in this series, it stands to reason that fans would want to be getting their grabby hands on Swarm.  I had heard of this series, and in particular, the interesting three-author aspect of it, but had not read Zeroes when Swarm landed on my doorstep.  For the uninitiated, the book follows the fates of a small band of teenagers who have developed a range of what could be termed superpowers.  These range from seeing through other peoples’ eyes, to deflecting the attention of others away from oneself, to the ability to destroy electronic equipment with the power of the mind.  Interestingly though, it appears that these powers only seem to manifest in people within a certain age range, and usually have some connection to crowds and the energy generated by crowds.  As I said, I haven’t read the first in the series, but the authors have gone to great lengths to inform new readers of what’s what in the first few chapters.  The book flicks back and forth between the points of view of all the Zeroes – about six in all, who all have code names as well as regular names.  I found this to be a handy way to quickly be introduced to each character and their power, as well as to get a handle on some of the happenings of book one.  After the opening round of chapters however, the constant switching between perspectives really slowed the pace.  I grew a little bored with hearing about various situations from each person’s point of view and a few plot points get rehashed over and over as certain characters have to explain to other characters things that we, as readers, already know, because we just experienced it through the point of view of the character it happened to.  I ended up DNFing Swarm at Chapter 23, or 135 pages of the total 388, not because it was a sub-par read, but because I felt I had missed out on some of the action and excitement and character connection that may have been generated in the first book.  I would recommend starting at the beginning (which is what I plan to now do) if you think this series sounds like your cup of superpowered tea.

Brand it with:

Teen super-angst; secret societies; crowd  control

Artie and the Grime Wave (Richard Roxburgh)

*We received a copy of Artie and the Grime Wave from Allen & Unwin for review*

Ten Second Synopsis:  

Artie and the Grime Wave by Richard Roxburgh.  Published by Allen & Unwin, Octboer 2016.  RRP: $16.99

Artie and the Grime Wave by Richard Roxburgh. Published by Allen & Unwin, Octboer 2016. RRP: $16.99

Since his dad died and his mum became catatonic from grief, Artie has navigated life under the care of his shouty big sister and with the help of his best mate Bumshoe. When the boys stumble across a potential (no, probable…okay, definite) stash of stolen goods, they must work to unravel an organised crime racket that (probably) goes all the way to the top.

Muster up the motivation because…

…apart from the slightly disturbing illustrations that sort of creeped me out, Artie and the Grime Wave is a fun and bizarre adventure for primary school kids.  Artie is an unassuming young lad with an over-sized best friend who happens to bear the nickname Bumshoe, and for those reasons alone, attracts the unwanted attention of local bullies.  On the plus side though, Artie is also surrounded by a collection of family and friends to support him.  There’s his mum (stricken with grief), his sister (Shouty McShoutface), Aunty-boy (the crazy, lolly-giving lady down the street) and the lovely Ukrainian family next door who may have hidden talents (the Unpronounceable-enkos).  So you see, despite being picked on by ruffians, Artie has plenty of oddity to keep him busy and distracted.  When Artie and Bumshoe accidentally stumble upon some stolen goods, Artie’s life takes a turn for the adventurous as he and his strange collection of family, friends and neighbours fall into a dastardly hotbed of organised crime.  The humour here is a familiar Australian blend of dry and silly and characters alone make the story funny enough to keep youngsters entertained.  The book is illustrated here and there throughout (with the aforementioned slightly creepy and unnecessarily toothy pictures) and also employs some different fonts to mix things up a bit.  All in all, this story can probably best be compared to the style of David Walliams, except with a bit more Aussie grittiness.  I would definitely recommend this one to young readers who prefer their reading to feature a bit of larrikinism, a bit of stealth and silliness and a bit of fly-by-the-seat-of-your-pants adventure.

Brand it with:

Where have all the flowers pets and whitegoods gone?; suburban skulduggery; everybody needs good neighbours

The Wolf Wilder (Katherine Rundell)

*We received a copy of The Wolf Wilder from Bloomsbury Australia for review*

Ten Second Synopsis:  wolf-wilder

Feo and her mother are wolf wilders; wolves kept by the Russian aristocracy as pets are brought to Feo and her mother when they are no longer welcome amongst polite society, and the women retrain the wolves to live as wild animals.  When the women are warned by Russian soldiers that they will be arrested if they are seen with any more wolves, Feo’s life is turned upside down.

Muster up the motivation because…

…this is a beautifully presented book with an engaging concept for lovers of animal stories and historical fiction.  I have to say up front that I made the decision to stop reading this one quite early on, after about four chapters, because the story looked like it was heading towards war and soldiers breaking down doors and young children (Feo in particular) fleeing for their lives, and I didn’t feel like I was in the mindset to take that in, even in a children’s book.  I am offering it for giveaway though because the book is absolutely gorgeous and I know some of you would love the opportunity to immerse yourself in this story.  The black and white illustrations are atmospheric and the story (or what I read of it) has a definite fable-like tenor, but also a strong feel of realism and authentic historical flavour.  I’d recommend The Wolf Wilder to readers young and old who like realistic adventure, historical fiction, animal stories and more than a hint of magic.

Brand it with:

An icy reception; howling good reads; animal adventure

Alright Aussies!

Don’t forget to comment on this post with the title of the book that most takes your fancy to be in with a chance to win it!  Good luck 🙂

Until next time,

Bruce

 

Picture Book Perusal: The Hello Atlas!

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picture book perusal button

Today’s nonfiction picture book from Allen & Unwin – The Hello Atlas by Ben Handicott and Kenard Pak – is one to excite and amuse anyone, young or old, who is interested in language.  Or anyone who just wants to be friendly in foreign lands.  We Shelf-dwellers always like a good illustrated atlas-type book because there is something uber-fun about poring over different places and finding out about stuff.  And not only is the book huge and brightly illustrated and informative, it also comes with a handy app that allows readers to actually hear languages from around the world being spoken.  Enough of the teasers though; here’s the blurb from Goodreads:

Look into the lives of children all over the world with this book that celebrates one of humanity’s greatest achievements: written and verbal language. Including fully illustrated word charts, featuring children depicted in their home country, doing ordinary things, this book features more than 100 languages, from well-known and lesser known indigenous languages that introduce us to some of the world’s most remote communities. With foreword by ethnobotanist and explorer, Professor Wade Davis. Comes with a free, downloadable app for iOS and Android that allows you to hear the phrases in the book, each recorded by a native speaker.

The Hello Atlas by Ben Handicott and Kenard Pak.  Published by Allen & Unwin, October 2016.

The Hello Atlas by Ben Handicott and Kenard Pak. Published by Allen & Unwin, October 2016.

As you can probably infer from the cover illustration, this book is all about people talking.  The understanding that people in different places communicate using different sound patterns will no doubt spur on motivated youngsters to find out more.  This is definitely the book for that youngster.  The atlas is divided into sections relating to different continents, and each section features a range of images of children doing everyday things – playing sport, taking a walk, going to school – captioned with the child’s name and the language they speak.  Each child is also accompanied by a phrase in their native language (and in some cases, alphabet) with an English translation.  Here’s an example:

hello-atlas-page-spread

While there is only a small amount of text for the plethora of images and languages, many of the children are pictured in some form of national dress, or performing an activity that is associated with their region of the world – ice hockey in North America, for instance – so there is plenty of visual information to flesh out the text.

The illustrations are done in attractive pastel tones and, happily, represent a range of skin colours for each continent.  On my initial flick through the book, I was a little overwhelmed with the number of children featured and I was worried that it might be a bit of information overload for younger readers.  Each section is preceded with a map of the particular continent that shows each of the children who will be showcased in the following section and where on the continent their language is spoken.  This provides readers with a chance to flick back and forth through the section to give a visual reminder of where each language group sits in the broader scheme of things:

hello-atlas-page-spread-2

I was quite interested to see whether any Australian Indigenous languages would be included and after a cursory inspection, I found three – Arrernte, Warlpiri, Yolngu – as well as Australian Kriol.  I wanted more, to be honest.  I realise that there has to be some kind of cut off point, but considering Australia had over 200 separate language groups once upon a time, it’s a bit of a shame that only three and a half made the cut here.

In a handy turn of events, The Hello Atlas also comes with a free app for smart devices that allows readers to actually hear the languages in the book being spoken.  I decided it would be remiss of me not to download it (even though it’s a pretty big app – you might need to clear some space first!) and I was pleasantly surprised that it is simple and streamlined in design and would be perfectly easy to master for anyone with even a basic knowledge of app-related pointy finger-jabbing.

The opening screen reflects a map of the world, and once you have chosen which continent you would like to explore, you can select from a list of languages and then click through to hear a native speaker intoning a few choice phrases such as “What’s your name?”, “How are you?” and the like.  Here are some screen shots of the menus and such:

hello-atlas-screenshot-1hello-atlas-screenshot-2  hello-atlas-screenshot-3

I had a bit of fun clicking through and listening to the different languages, especially the ones that use a different alphabet to English.  It was quite satisfying hearing how to correctly pronounce some words that I could make head nor tail of by reading the letters!  Being most interested in the Oceania region, I eagerly clicked through to listen to some indigenous Australian speakers and…..

…nothing.

Not one of the three indigenous Australian languages in the atlas was featured in the app.  Needless to say, I was more than a little disappointed.  And a bit cranky.  Surely it couldn’t be that hard to find one representative of one of the three groups to get a sound bite for the app?!

Although it was super easy to use, one aspect of the app did strike me as a bit strange and that was the fact that of all the languages I listened to, not one was spoken by a child.  All the male and female voices on the app belonged to adults, which is perfectly adequate for those who want to just hear how the language sounds, but I found it a bit strange that while children are pictured in the book, adults are doing the talking in the app.  Again, surely it couldn’t be that difficult to find child native speakers of a majority of these languages.

Overall, I found this to be a fun and informative book that is the perfect size to pop on a classroom or library shelf to entice budding linguists.  The large format of the atlas means that multiple readers can gather round it at the same time, which can only be a good thing for a book that is based on the topics of communication and personal interaction.

I’d definitely recommend this one to classroom teachers, as well as parents who want to inspire a love of language and diversity in their mini-fleshlings.

Until next time,

Bruce