Lockwood & Co #4: The Creeping Shadow…

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We Shelf-Dwellers love Jonathan Stroud’s Lockwood & Co series.

We know it.

You know it.

Let’s just accept it as fact and move on.

If you haven’t had a crack at this series yet and you are a fan of paranormal, ghost hunting books, you are missing out.  Enough said.  We jumped at the chance to review book four in the series – The Creeping Shadow – when it was offered by the publisher via Netgalley (even though we haven’t got to book three yet), and here’s the blurb from Goodreads:

Lucy has left Lockwood & Co. A freelance operative, she is hiring herself out to other agencies – agencies that might value her ever-improving skills.

But now Lockwood needs her help.

Penelope Fittes, leader of the well-renowned Fittes Agency wants Lockwood & Co. – and only them – to locate and remove the ‘Source’ for the legendary Brixton Cannibal.

It’s a tough assignment. Made worse by the tensions between Lucy and the other agents – even the skull is treating her like a jilted lover!

What will it take to reunite the team? Black marketeers, an informant ghost, a Spirit Cape that transports the wearer, and mysteries involving their closest rivals may just do the trick.

But not all is at it seems. And it’s not long before a shocking revelation rocks Lockwood & Co. to its very core . . .

*There may be spoilers here from book two and beyond.  Read at your own risk*

I think this is the most intriguing book of the series so far (although, admittedly, I haven’t read the third book yet – The Hollow Boy), with Lucy’s relationship with Lockwood & Co being first and foremost in the mind of the reader the whole way through.  Having skipped straight to book four when opportunity arose meant that I haven’t been privy to the events of book three in which Lucy parts ways with Lockwood & Co and strikes out on her own as a freelance operative, ably aided by the skull in a jar.  Even though it’s obvious that book three dealt with some pretty major events, I didn’t feel particularly out of the loop here because essentially, all the reader needs to know is that (a) Lucy left Lockwood & Co and (b) the skull played a part in this leaving.

The early chapters of the book have a distinct air of melancholy about them as Lucy spends most of her time, when not freelancing for various sub-par agencies, alone in her bedsit with the skull, which, I’m sure we can all agree, is a bit depressing really.  It’s obvious that she misses the team, but feels that she must stay away for the greater good of everyone and Lockwood particularly.  Soon enough though, excitement kicks off as Lockwood invites Lucy back for a one-off job that quickly turns into a second job and so on.  The initial two ghost hunts (involving a historical witch and a seriously creepy cannibal serial killer) are particularly atmospheric and frightening.  The unexpected inclusion of Quill Kipps – ex-Fittes agency smug git and Lockwood & Co antagonist from way back – adds a new dimension to the tale as the team swells to five members, all of whom seem to have a bit of a beef (or at least a niggling irritation) with at least one of the other members.

There are some amazing reveals at the end of the story that I didn’t see coming and these will certainly be of great interest in the fifth (and final, apparently – booooo!) installment when it is released.  I won’t spoil any of the action for you, but the final hunt for the team involves a seriously haunted village that seems to be experiencing a sort of plague of ghosts, ever since a well-known research institute moved in down the road.  If you count the skull as the sixth member of the team – which Lucy obviously does – it is apparent that all six members will need every ounce of their wits about them for the next book, due to a “warning” (read: threat) from one of the top folks in the ghost hunting field, as well as a shocking tidbit of information that gets dropped just pages before the end.

The Creeping Shadow is simultaneously more of the same from the Lockwood & Co gang and the potential for fascinating new directions, so I am definitely looking forward to the final book in the series.  Now I just have to go back and read book three before number five is  released.

Until next time,

Bruce

Mondays are for Murder: The Chalk Pit…

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As promised, here is my second Murderous Monday for February – and it’s a cracker of a read for those of you who enjoy serial police procedurals.  We received a copy of The Chalk Pit by Elly Griffiths, the ninth book in the Ruth Galloway series, from the publisher via Netgalley and here’s the blurb from Goodreads:

Boiled human bones have been found in Norwich’s web of underground tunnels. When Dr Ruth Galloway discovers they are recent – the boiling not the medieval curiosity she thought – DCI Nelson has a murder enquiry on his hands.

Meanwhile, DS Judy Johnson is investigating the disappearance of a local rough sleeper. The only trace of her is the rumour that she’s gone ‘underground’. This might be a figure of speech, but with the discovery of the bones and the rumours both Ruth and the police have heard of a vast network of old chalk-mining tunnels under King’s Lynn, home to a vast community of rough sleepers, the clues point in only one direction. Local academic Martin Kellerman knows all about the tunnels and their history – but can his assertions of cannibalism and ritual killing possibly be true?

As the weather gets hotter, tensions rise. A local woman goes missing and the police are under attack. Ruth and Nelson must unravel the dark secrets of The Underground and discover just what gruesome secrets lurk at its heart – before it claims another victim.

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Plot Summary:

Bones are found at the site of an underground development. A homeless woman goes missing (or does she?).  Two homeless men are murdered.  A young mother vanishes without trace, leaving her four young children behind.  Is there a link?  Only time (and thorough investigation) will tell.

The Usual Suspects:

This is a bit of an unusual read in terms of suspects, because for the majority of the book, the police don’t have any.  Well, any suspects with any particular evidence attached to their names.  While this does make it difficult for those wishing to guess ahead to who the murderer might be, it did up the suspense and mystery factor because these things seemed to be happening completely out of the blue.

The Hunt for the Murderer/s:

While there are murders in the story, the hunt is mostly geared toward finding the links between various happenings…because as I mentioned above, the police don’t really have any suspects.

Overall Rating:

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Four poison bottles for the heavy sigh of someone being murdered in their sleep

I will admit to loving a good police procedural, and this is a good police procedural.  I had no idea when I requested it that it was number nine in a series and it certainly doesn’t read like a story in which the characters are mired in backstory that is impenetrable to the reader new to the series.  It is obvious that there are many connections between each of the characters, but these are discussed just enough to ensure that you know who’s who and how they are related, but not so much that it drags the focus off the investigation.  Essentially, Ruth is an archaeologist, Nelson is a policeman, they have a past, now let’s get on with it.

The investigation is expertly paced and involves multiple interlinked events culminating in an unexpected and sort of tabloid (but satisfyingly so) ending.  The focus is so much on the various events that happen – discovering the bones, the two separate murders, the missing lady and so forth – that the tension is continually building as the investigation continues and the pieces start to fall into place.

I enjoyed this as a story that I could just fall back into every time I picked it up and I will definitely seek out more from this series in the future.  Have you read any of Ruth Galloway’s previous adventures?

Until next time,

Bruce

Bruce’s Reading Round-Up: Picture Books for the Open Minded…

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Saddle up my friends, because I have four picture books for you today that will open your mind, test your heart and generally stretch your imagination!  Let’s ride on in!

A Perfect Day (Lane Smith)

*We received a copy of A Perfect Day from PanMacmillan Australia for review*

Two Sentence Synopsis:  a perfect day.jpg

As a collection of animals and one young boy go about an ordinary day, they all seem to find the one thing that makes them most happy.  Until, that is, a big hairy bear comes along to spoil the perfection.

Muster up the motivation because…

…this is one picture book that proves that perfection depends entirely on perspective.  The beautiful pastel palette of the illustrations reinforces the gentle unfolding of an ordinary day, made special by the simple things.  Of course, in the second half of the book, things become a lot less perfect – unless you’re a big burly bear looking for somewhere to snack, play and nap of course – and there’s a certain delight in seeing the bear making dirt angels in the flowerbed, splashing in the wading pool, flashing a corn-cob smile and generally enjoying himself in a bearish fashion.  The emphasis provided by the font as bear spends his leisure time inadvertently ruining everyone else’s also contributes to the humour and would be perfect for teaching younger independent readers how to take cues from the text when reading aloud.  The final illustration depicting the animals and little boy inside the house looking out, accompanied by the text, “It was a perfect day for bear,” opens up the text for conversation with little ones about how the other characters might feel.  The edition I have received shows a similar image to that of the last page as its cover and I think this image gives a better sense of the book’s content than the one above.  All up, this is a delightful reading experience that is visually appealing and the perfect choice for sharing a gentle giggle before bed.

Brand it with:

Bears in them there hills; Bear necessities; simple pleasures

Old Pig (Margaret Wild & Ron Brooks)

*We received a copy of Old Pig from Allen & Unwin Australia for review*

Two Sentence Synopsis:  

A grandmother and granddaughter pig share their days and nights in a comforting rhythm of chores, food and relaxation.  When grandmother pig begins slowing down, the two confront together the spectre of a final goodbye.

Muster up the motivation because…

…this 20th anniversary edition classic children’s tale is almost achingly poignant in places and deftly broaches that hardest of topics, the death of a loved one.  As it becomes apparent that Grandmother Pig is facing her final days, the two pigs take solace in spending time together and appreciating the small, simple things in life and the rhythms of each day.  While death isn’t explicitly mentioned, it is obvious that the book is about leaving and leaving behind.  The final illustration, featuring granddaughter pig on her own is awash with hope, and allows the reader to leave the story on an uplifting note.  As much as this story would be a useful tool in gently opening up discussions with young readers about reality of death, it is also a celebration of a life well lived and the connections that we make with those dear to us.  If this book doesn’t tug at your heartstrings and make you appreciate the small moments of joy in the mundane, then you must have a colder, stonier heart than even I do.

Brand it with:

Grief, sensitively handled; quality of life; inter-generational connections

There’s a Tiger in the Garden (Lizzy Stewart)

*We received a copy of There’s a Tiger in the Garden from Allen & Unwin for review*

Two Sentence Synopsis:  theres-a-tiger-in-the-garden

In an attempt to cure her granddaughter’s boredom, a grandmother casually mentions that there is a tiger in her garden.  The resulting, fruitful search is enough to dent the certainty of even the most sceptical of child explorers!

Muster up the motivation because…

…this is the kind of book that will have you doing exercises to expand your imagination.  While the concept of children “discovering” untapped worlds in the garden isn’t new to picture books, the ambiguous ending of this story provides a fun twist.  As Nora and Jeff (her toy giraffe) take a turn about the garden, the illustrations become more and more detailed and jungle-like, blending a sense of magical realism with the richly coloured sense of adventure inherent in nature in all its glory.  The deep greens that permeate most of the illustrations are so lush and inviting that I just couldn’t help plunging on in to this story. Within Nora’s imagination, her grandma’s small garden morphs into the home of butterflies the size of birds, a grumpy polar bear fishing in the pond and some extremely robust (and hungry) plants.  Young readers will love trying to spot the tiger in the earlier pages of the book and there is plenty of visual humour for older ones to notice and enjoy also.  If you have a young explorer in your midst, they will revel in this tale that celebrates things that are more than they seem on the surface.

Brand it with:

Wild green yonder; imagine that; grandma’s secret garden

My Friend Tertius (Corinne Fenton & Owen Swan)

*We received a copy of this title from Allen & Unwin for review*

Two Sentence Synopsis:

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My Friend Tertius by Corinne Fenton & Owen Swan.  Published by Allen & Unwin, 22 February 2016.  RRP: $24.99

A WWII code breaker working in Singapore for the British takes a gibbon for a pet.  When the war forces him to leave Singapore, he makes the decision not to abandon his friend, but smuggle him along on the journey.

Muster up the motivation because…

…for one thing, there certainly is a dearth of war related picture books featuring a gibbon on the market, so My Friend Tertius fills that niche nicely. The washed out colour palette is reminiscent of the tropical heat of the southern hemisphere, and there are many historical clues hidden in the pictures for keen-eyed young readers to inquire about – the radio set in Arthur’s room for instance, Arthur’s neatly initialed gladstone bag and the fact that most pictures of people show at least somebody smoking a cigarette.  This was a bit of a strange beast of a tale for me – on one hand, it is fascinating, unexpected and had me immediately questioning the hows and whys of the story. On the other, the picture book format meant that I didn’t get the answers I was looking for. The narrative begins abruptly with a question that presupposes a knowledge of the social context of war generally – that people might have to leave – and the War in the Pacific specifically – that people did have to leave Singapore, with or without their loved ones.  The book has no afterword giving more information about Arthur Cooper and the eventual fate of either man or gibbon, and the book finishes on the rather cryptic statement “He [Tertius] taught me how to love.”  This is cryptic because nowhere in the previous pages of the book is there any mention of Arthur having any particular difficulty with human emotions, so I found myself asking, “How? How did he teach you to love? And why didn’t you know how to love in the first place?!” These questions, as well as my inner pedant’s shock at Arthur’s laissez faire attitude toward animal quarantine issues, meant that this wasn’t a particularly satisfying read for me as an adult reader, and I wonder how it might be received by the upper primary age range for which it is intended.  To be honest, I would have loved to have seen this story told in a chapter book format because I suspect there is so much more to the story than is being shown, and it is a pity not to be privy to it.

Brand it with:

Monkey business; BFFs in wartime; gibbons on the run

Bet you weren’t expecting any of those mind expanding picture books, were you?  I hope there is something here that tickles your synapses and causes you to add it to your TBR pile.

Until next time,

Bruce

 

 

 

 

 

Get Well Soon: A Five Things I’ve Learned Review…

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.aaaaand a Top Book of 2017 Pick!

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Today’s book is all about death and disease and as such, you wouldn’t necessarily think it would be all that enjoyable to read.  You would, however, be wrong.  Get Well Soon: History’s Worst Plagues and the Heroes Who Fought Them by Jennifer Wright is a massively accessible nonfiction book with a conversational tone and enough humour to keep the (in some places) quite terrifying content, readable.  Here’s the blurb from Goodreads:

A humorous book about history’s worst plagues—from the Antonine Plague, to leprosy, to polio—and the heroes who fought them

In 1518, in a small town in France, Frau Troffea began dancing and didn’t stop. She danced herself to her death six days later, and soon thirty-four more villagers joined her. Then more. In a month more than 400 people had died from the mysterious dancing plague. In late-nineteenth-century England an eccentric gentleman founded the No Nose Club in his gracious townhome—a social club for those who had lost their noses, and other body parts, to the plague of syphilis for which there was then no cure. And in turn-of-the-century New York, an Irish cook caused two lethal outbreaks of typhoid fever, a case that transformed her into the notorious Typhoid Mary and led to historic medical breakthroughs.

Throughout time, humans have been terrified and fascinated by the plagues they’ve suffered from. Get Well Soon delivers the gruesome, morbid details of some of the worst plagues in human history, as well as stories of the heroic figures who fought to ease their suffering. With her signature mix of in-depth research and upbeat storytelling, and not a little dark humor, Jennifer Wright explores history’s most gripping and deadly outbreaks.

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And here are Five Things I’ve Learned From Get Well Soon: History’s Worst Plagues and the Heroes Who Fought Them by Jennifer Wright:

1. The incredibly deadly Spanish Flu didn’t actually originate in Spain.

2. No matter what the disease, it never does anyone any good when a stigma is attached to those who carry it.

3.  Having a plague that makes you dance non-stop for hours (or days) at a time may sound like fun, until your bones start protruding through your skin just as “Blame it on the Boogie” comes on.

4. Indulging in an illicit romp with a lady of the night is all fun and games until  your nose (and probably hers also) falls off.

5. People actually queued up at one time in history to allow a madman to drill holes in their skulls, in the hope that it would provide a cure for their assorted maladies.

I can’t remember when I last giggled so much while reading about infectious disease as I did while reading this book.  In terms of making nonfiction books accessible, Wright has done a bang-up job here with a narrative style that is light – but never makes light – despite content that can result in some pretty sobering reading.  The humour in this book is almost a necessary vent for the anger and sadness and bafflement some readers may experience while finding out about the ways in which some very sick people – as well as the people who tried to help them – were treated at various points throughout history.

The book covers various plagues in separate sections and includes famous plagues, such as the Black Death, Spanish Influenza, and Polio, alongside lesser known ailments such as the dancing plague mentioned in the blurb, the “plague” of lobotomies orchestrated by William Jackson Freeman III and the plague of Encephalitis Lethargia, which results in the loss of any kind of emotion or motivation and leaves sufferers, in some cases, like living corpses.  Part of the focus of the book is on how authorities and others dealt with these diseases when they first appeared and how this action or inaction affected the disease’s spread.  It’s fascinating to see how the work of some individuals and groups to gain evidence for the causes of certain diseases – cholera being a case in point – was pooh-poohed (pardon the pun) by the authorities and scientific community even in the face of growing numbers of people contracting the disease.

I suspect this book won’t necessarily cut it for those hoping for a scientific look at plagues and their causes, but for the casual reader and those interested in social responses to medical disasters, the book will provide enough information to be going on with.  The style of writing feels like narrative nonfiction, in part because of the way in which the author has highlighted the individuals involved in the outbreaks of each specific disease.  While the use of the term “heroes” to describe these people feels a bit twee to me, I appreciate the fact that these people should be acknowledged and possibly lauded as household names more than they usually are.

My favourite part of the book was the section dealing with Spanish influenza, simply because of the dastardly bad timing that meant this disease came to prominence at the same time as World War 1, leading to catastrophic breakdowns in communication between authorities and the general public that, had this been different, could have saved many lives.  Looking back on the content, I was mildly disappointed that the Ebola virus was not included in the list of diseases, but I suppose you can’t have everything.

If you, like me, enjoy reading about major global disasters in a style that won’t freak you out too badly or exacerbate general feelings of anxiety about the state of the world, this would definitely be one to add to your TBR.

Oh, and I’m adding this to my  Colour Coded Challenge as well.  Check out my progress here.

Until next time,

Bruce

 

Library Larks: Pictures, Pictures, Pictures!

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It’s all about the pictures with my recent library borrowings.  I went a bit graphic novel mad recently, taking advantage of Moreton Bay Libraries’ most excellent graphic novel collection and have requested no less than eight graphic novels to slowly pore over.  Here are some of them:

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Chief among these is Ben Hatke’s Zita the Spacegirl, which I borrowed to read in preparation for tackling Return of Zita the Spacegirl for my Mount TBR Challenge.  Jackie from Death by Tsundoku suggested that I read the first book in the series before trying the third, so I duly took her advice!  Look out for reviews of these two later in the week.  I also came across a graphic novel by Isombelle Carmody which I couldn’t just leave lying on the shelf.  I’m very much looking forward to casting my eyes over Bloody Chester, which is horror Western, and Livingstone: Volume 1, which is a manga featuring souls and untimely death.

I’ve also put a few Kazu Kabiushi titles on hold, one of which is an anthology of graphic novel short stories on the theme of mystery boxes.

Hopefully I’ll be able to get some reviews up for some of these in the not too distant future but if not here, I’ll definitely pop some up on Goodreads, so do make sure you are a friend of the Shelf if you happen to use that platform.

What’s on your library list this month?

Until next time,

Bruce

Creepy Adult Fiction Review: The Ghosts of Sleath…

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Meet an old story in a new jacket!  We received this gorgeously covered copy of The Ghosts of Sleath by James Herbert from PanMacmillan Australia not realising that the story was originally published in 1994.  All things considered though, this didn’t really matter to us because we’ve never read any of Herbert’s work anyway!  Here’s the blurb from Goodreads:

Can a ghost haunt a ghost?
Can the dead reach out and touch the living?
Can ancient evil be made manifest?

These are the questions that confront investigator David Ash when he is sent to the picturesque village of Sleath in the Chiltern Hills to look into mysterious reports of mass hauntings. What he discovers is a terrified community gripped by horrors and terrorized by ghosts from the ancient village’s long history. As each dark secret is unveiled and terrible, malign forces are unleashed, he will fear for his very sanity.

Sleath. Where the dead will walk the streets.

Sleath, it seems, is a picturesque village that is haunted by…well, pretty much everything that ever happened there.  When psychic investigator David Ash is called to Sleath at the behest of the local vicar amid whispers of hauntings, he is woefully unprepared to deal with the sheer backlog of instances of human misery that this town seems to be hiding.  Along with Grace, the vicar’s daughter, and later on, a mysterious Irish man who turns up out of the blue, David must try and get to the bottom of the diverse phenomena appearing all over the village and discover whether they have paranormal origins or are driven by something more mundane.

Before you pick this one up you should probably be made aware that it isn’t your average, run of the mill ghost story, but also features some quite graphic, stomach-churning violence that is sprung on the reader without warning in various places.  We Shelf-dwellers, being fans of ghostliness, but not necessarily goriness (unless we’re in the mood!), found this to be a bit of a stumbling block to getting into this book because after a while we became hand-shy that something icky would be around the next corner.  For those who appreciate trigger warnings, you should be made aware that this book features descriptions of child sexual abuse that are quite confronting.

This is the second book in a series featuring psychic investigator David Ash.  Not having read the first book wasn’t a major problem as the author provides enough information here and there to ensure that the reader gets an idea of his backstory. Ash is a bit of a tortured character by all accounts who is committed to his job but still coming to terms with some seriously nasty psychological trauma from a past case.

I couldn’t quite make up my mind as to whether I enjoyed this book or not.  On the one hand, it certainly satisfies the criteria of “totally creepy paranormal phenomena” and “reveals you didn’t see coming”, both of which I appreciate in a good ghosty story.  On the other hand, the aforementioned violence seemed shockingly out of place and was so graphic in places that it made me feel a bit sick.   I also had a few issues with the slow pacing of the investigation and constant interjections of flashbacks from various townsfolk.

While this one didn’t quite hang together in the most appealing way for me as a reader, I’m sure there will be plenty of folk who will appreciate the dark, brooding atmosphere of this book and the multiple narratives that have been woven together to contribute to the surprising reveal.

I will be submitting this one for the Colour Coded Challenge 2017   You can check out my progress toward all my challenges here.

Until next time,

Bruce

YAhoo! It’s a YA Review: Fir…

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It’s time for a little YA and today’s book is a dark, shadowy tale of the power of nature and the puniness of humans.  We received Fir by Sharon Gosling from the publisher via Netgalley and here’s the blurb from Goodreads:

We are the trees. We are the snow.

We are the winter.

We are the peace. We are the rage.

Cut off from civilization by the harsh winter of northern Sweden, the Stromberg family shelter in their old plantation house. There are figures lurking in the ancient pine forests and they’re closing in. With nothing but four walls between the Strombergs and the evil that’s outside, they watch and wait for the snows to melt.

But in the face of signs that there’s an even greater danger waiting to strike, it becomes increasingly difficult to distinguish reality from illusion. All they’ve got to do is stay sane and survive the winter…

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I had high hopes for this one, given that it featured creepy trees – a collective character that, it must be admitted, surely doesn’t get enough coverage in YA – and a cold, dark setting that I hoped would be a mental escape from the unrelenting heat of Australian summer.  Unfortunately I ended up DNFing at just over halfway, having given the book plenty of time to grab my attention and hold it.

The two biggest problems I had with this one were the slow pace and the stilted dialogue mixed with tedious monologue. I just couldn’t be bothered to stick around and find out what the trees were planning, or indeed, if they were planning anything at all and not just a figment of the narrator’s imagination.  The suspense aspect takes its time in building up, which is perfectly forgivable, provided the characters around which the suspense is building are interesting enough to inspire a sense of protectiveness from the reader.  I found most of the characters to be reasonably unlikable – the teen narrator is angsty and moody, the father is arrogant and stubborn and the mother is overly conciliatory – and so would have happily seen them eaten by trees …or whatever…and for this reason, somewhere along the line the suspense morphed into a sense of impatience and a desire for the trees to get on with eating the characters…or whatever.

The one character who was written to be off-putting, the housemaid Dorothea, actually turned out to be my favourite, simply because at least she had a bit of nouse about her.  By the time I put the book down however, my feelings toward Dorothea had merged with my feelings for the hapless others and I would have been quite happy to have seen her eaten first…or whatever.

The setting was the definite standout of this story and set the appropriate tone of mild foreboding, and in some instances, blessed quiet.  Had the pace of the book been a bit quicker or had I given a hoot about any of the characters, I probably would have finished this, but I just wasn’t enjoying it enough to keep snow-ploughing on.

Until next time,

Bruce