Adult Fiction Mental Health Novel “In Two Minds”…and I am.

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I couldn’t resist the lure of a new novel featuring mental illness and its effects, from one of Australia’s leading psychiatrists, no less, and so here we are today with In Two Minds by Gordon Parker, founder of the Black Dog Institute.  We received our copy from Ventura Press for review and here’s the blurb from Goodreads:

Dr Martin Homer is a GP with a naturally sunny disposition. Honourable, attentive and trusted by all of his patients, Martin has only ever loved one woman – his wife, Sarah.

When his mother dies suddenly, Martin’s comfortable life is thrown into complete disarray. After sinking into the black dog of grief and depression, he ascends to new heights in a frenzied, manic high. Now, he’s never felt better!

In between riding his new skateboard around the streets at night and self-medicating from his stash at work, the artificially elated and self-entitled Martin crosses paths with Bella, a beautiful and sexual young woman profoundly damaged by trauma of her own.

In Two Minds takes you on a quirky, rollicking journey that unveils the complexities of mental illness with wit and warmth. Gordon Parker’s impressive career in psychiatry reveals itself through extremely rich descriptions of depression, bipolar and borderline personality characteristics.

It must be said that when you’ve read a lot of books, both fiction and nonfiction, featuring mental illness of one form or another, things do tend to get a bit samey.  This is one of the reasons I am in two minds about In Two Minds – if this had been the first novel I had read in which the protagonist has a breakdown and ends up in a psychiatric unit, I may have been more interested in the outcome.  Indeed, if I had not had the pleasure of spending some time in a psychiatric hospital myself, I may have been more entranced by the ins and outs of what happens when you are deemed no longer able to manage your own affairs without cocking things up in spectacular fashion.  If you have not had such an experience yourself, and you aren’t elbow deep in the back catalogue of “books about people losing their marbles in various painful and unexpected ways” then you should find In Two Minds to be compelling reading.

Martin Homer is an all-around good bloke.  He loves his wife, is wholeheartedly devoted to his work as a GP and generally sets the standard for good behaviour and personal growth everywhere he goes.  Bella is a woman with a past and a borderline personality disorder (**I’ve always wondered why the “borderline” part is added to the “personality disorder” part of that description, because there ain’t nothin’ “borderline” about Bella’s crazy, vitriolic antics**).  When Martin’s self-medicating after the death of his mother leads to a manic episode, the trajectories of Bella and Martin cross and Martin’s prior grip on his identity, his marriage and his work is shattered.

The story is told in alternating sections between Martin and Bella, with Martin’s story taking the primary position.  Really, this is a story about Martin and Bella is a bit player, albeit one whose back story is essential to the plot for her actions toward Martin to be in any way believable.  The author mentions the Madonna-whore complex early on in the story and all of the women presented here in any detail are indeed Madonnas (Edina, Martin’s mother, and Sarah, Martin’s wife) or whores (Bella, the Trophettes).  Bella’s early history, which the reader discovers at the end of the book, even indicates that she was a literal whore, working as a prostitute.  There was something unsettling about this for me, and I would have liked to have seen a few chapters written from Sarah’s point of view.  It seemed a little unfair to have such a focus on the man-slaying Bella and the existential crisis of Martin (post-mania) and so little focus on the woman who chooses to “stand by her man” as it were, despite the fact that he’s just undergone a major change in personality and behaviour.  In fact, had there been more of a focus on Sarah, this would have been a point that set this novel apart from the multitude that have gone before it; as important as the perspective of the sufferer of mental illness undeniably is, it would be instructive to read something from the point of view of the supporter – the spouse, significant other, family member – of the sufferer.

One thing that really does set this book apart is that it isn’t focused on talking therapy in any way.  Much is made in the early chapters of Martin’s past and the various tragedies and triumphs that shaped who he is.  I was expecting that this information would be somehow revisited later in the book as part of Martin’s recovery, but this wasn’t the case.  Instead, the section of the book dealing with Martin’s recovery is focused almost entirely on the various medications he is treated with, their side effects and the way they interact.  This may explain the slight disconnect I felt between the early parts of the story, in which Martin’s family and Sarah play such a strong role, and the latter parts, in which all of the key stressors and factors that almost certainly factored into Martin’s illness are glossed over in favour of his response to medication.  Even though it wasn’t what I was expecting, this certainly was a point of difference that makes this book stand apart from others on a similar topic.

The author may have even not-so-subtly inserted himself into the story by means of Saxon Marshall, Martin’s treating psychiatrist.  The name of this character struck me as interesting, and this may just be me receiving coded messages through the TV and novels here, but Saxon is the surname of the Master as played by John Simm in David Tennant’s run of Doctor Who, while Marshal is the given name of one of a psychiatrist character in Irvin Yalom’s Lying on the Couch (see below).  I can’t help but wonder if this was a conscious choice of character moniker and if so, what does it say about ol’ Gordon Parker, eh?  (**Probably not much because it’s probably not a conscious naming device, and just me projecting.  It should have been though – mashing the two characters together is quite evocative, imo**).

I was a little confused at the ending of the book.  There is an ambiguous ending for Martin, which I think worked well given we, as readers, leave him so soon after his diagnosis and early recovery.  It was a clever move to end his story at this point and leave us wondering what became of him.  More curious however was the ending of Bella’s narrative trajectory.  Toward the very end of the book, we are privy to even more of Bella’s backstory and the introduction of a new key character in Bella’s life.  I couldn’t get a grasp on why this was included, unless it was only to set up Martin’s ambiguous departure, because it certainly didn’t heighten my empathy for Bella in any way and felt like too much of an information dump after the climax of the story.

Having finished up the book, I had a quick flick through some similar books of my acquaintance and, as I mentioned at the beginning of the review, books featuring mental illness of one kind or another do tend to blend together after a while.  I definitely experienced shades of The Mirror World of Melody Black by Gavin Extence (female protagonist with bipolar disorder), Terms and Conditions by Robert Glancy (professional male protagonist coming to terms with a change of identity concept and mental trauma), and most obviously, Irvin Yalom’s, Lying on the Couch (multiple psychiatrists go through various psychiatrist-y problems and as in all of Yalom’s work, boobs are mentioned a lot).

If you are looking for a truly original story about the whirlwind of depression, mania and psychosis, then I would suggest trying Kathleen Founds’ brilliant When Mystical Creatures Attack!  If you are an entry level journeyperson regarding novels about mental health or you have an interest in bipolar disorder, depression and mania generally, definitely give In Two Minds a go.

I’m submitting this book for the Popsugar Reading Challenge for 2017 in category #51: a book about a difficult topic.  You can check out my progress toward that challenge here.

Until next time,

Bruce

 

 

 

 

Escaping to the Country Ain’t What It’s Cracked Up To Be: Abigale Hall….

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It seems to be the week for World War II stories, as we had one yesterday, we’ve got one today and there’ll be another tomorrow – at least no one can say I don’t do my bit for fans of historical fiction!  We received a copy of Abigale Hall by Lauren A. Forry for review from the publisher via Netgalley and here’s the blurb from Goodreads:

Amid the terror the Blitz in the Second World War, seventeen-year-old Eliza and her troubled little sister Rebecca have had their share of tragedy, losing their mother to German bombs and their father to suicide. But when they are forced to leave London to work for the mysterious Mr. Brownawell at Abigale Hall, they find the worst is yet to come.

The vicious housekeeper, Mrs. Pollard, seems hell-bent on keeping the ghostly secrets of the house away from the sisters and forbids them from entering the surrounding town—and from the rumors that circulate about Abigale Hall. When Eliza uncovers some blood-splattered books, ominous photographs, and portraits of a mysterious woman, she begins to unravel the mysteries of the house, but with Rebecca falling under Mrs. Pollard’s spell, she must act quickly to save her sister, and herself, from certain doom.

Perfect for readers who hunger for the strange, Abigale Hall is an atmospheric debut novel where the threat of death looms just beyond the edge of every page. Lauren A. Forry has created a historical ghost story where the setting is as alive as the characters who inhabit it and a resonant family drama of trust, loyalty, and salvation.

First up, this book felt like a much longer read than its 256 pages.  I felt like I was reading for ever and ever and getting sucked deeper and deeper into the lives of the characters and the mire in which they find themselves.  In terms of bang for your reading buck, Forry has packed an incredible amount of plot into a standard amount of pages.

We first meet Eliza and her younger sister Rebecca while they are in the custody of their Aunt Bess, after the death of their mother in the Blitz and the suicide of their father.  Aunt Bess isn’t the warmest of mother-figures and life for the girls is unpleasant in London, despite the fact that their immediate needs are more or less met.  Eliza enjoys her work at a theatre and is hoping that her beau, Peter, will cement their relationship by popping the question without too much delay.

All this changes when Aunt Bess announces that the girls are to be shipped off to work as housemaids at Abigale Hall, a country house in Wales.  Without so much as a by-your-leave, the girls are manhandled out of their Aunt’s flat and away to the middle of nowhere to be left at the mercy of the unrelenting Mrs Pollard and the nightmarish spectre of Mr Brownawell.  The girls’ tenure at the house is filled with secrets, rumours from the villagers about curses and missing girls, and the marked absence of the Lord of the manor.   Things are not as they appear at Abigale Hall – and they appear pretty grim indeed – and it is clear to Eliza that the longer they stay, the worse the impact will be on Rebecca’s tenuous mental health.

The story is told from the perspective of Eliza and later on, Peter, as he tries to track down Eliza herself as well as another missing girl from their workplace.  The narrative flicks between the paranormal, skin-crawling atmosphere of Abigale Hall and the far  more banal dangers of post-blitz London and its seedy underbelly.  Throughout the story Eliza is never quite sure who she can trust and is torn between securing her own safety and remaining a dutiful and loyal sister.

I must warn the sensitive reader that there is a bit of animal cruelty in the story as well as a collection of incidents that will make you say, “Ick!” mentally, if not aloud.  I quite enjoyed the looming unease of the parts of the story set in the house.  These were neatly balanced by Peter’s sections of the story and this stopped the story becoming too paranormal or too mundane at any given point.  The plot, taken in its entirety, is full of twists, turns and unexpected revelations that spin the reader’s train of thought and switch the trajectory of the characters at every turn.

The ending was remarkably satisfying to me as well…but then I’ve always been one to enjoy the downfall of characters who feel like they should get a swift clip around the ear.

This would be a great choice for a holiday read if you’re looking for something a bit creepy and complicated with a historical setting.

Until next time,

Bruce

Mean Girls, Kidnap and the One Left Behind: The Fall of Lisa Bellow…

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Whoooot whooot whooot!

That’s the “intriguing read ahead” alarm, in case you didn’t recognise it.  Today’s book is adult fiction novel The Fall of Lisa Bellow by Susan Perabo.  We received a copy of this one from Simon & Schuster Australia for review and even though I didn’t know what to expect going into it, I know I wasn’t expecting such an absorbing, fascinating and subversive look at the inner workings of various minds….

On that tantalising little nugget, here’s the blurb from Goodreads:

When a middle school girl is abducted in broad daylight, a fellow student and witness to the crime copes with the tragedy in an unforgettable way.

What happens to the girl left behind?

A masked man with a gun enters a sandwich shop in broad daylight, and Meredith Oliver suddenly finds herself ordered to the filthy floor, where she cowers face to face with her nemesis, Lisa Bellow, the most popular girl in her eighth grade class. The minutes tick inexorably by, and Meredith lurches between comforting the sobbing Lisa and imagining her own impending death. Then the man orders Lisa Bellow to stand and come with him, leaving Meredith the girl left behind.

After Lisa’s abduction, Meredith spends most days in her room. As the community stages vigils and searches, Claire, Meredith’s mother, is torn between relief that her daughter is alive, and helplessness over her inability to protect or even comfort her child. Her daughter is here, but not.

So, what’s the social protocol if a tragedy befalls someone you don’t particularly like?  Is there an acceptable level of schadenfreude that can be bandied about or do you have to pretend that you really care deeply about the other person (who would never have given one single toss about you)?

What if you are the mother of the girl who isn’t kidnapped?  Surely there must be some concession to such a mother, an allowance of a certain amount of public joy that her child was spared, despite the unnamed terrors that may (or may not…but probably are) being committed upon the kidnapped child.

These are some of the questions that are explored in The Fall of Lisa Bellow, as viewpoints switch between Meredith (the un-kidnapped child) and her mother, Claire, in the aftermath of the Deli Barn robbery in which Meredith’s classmate (and locker neighbour) is kidnapped.  Lisa Bellow is one of the cool kids, a mean girl. Meredith is not.  Meredith is simultaneously unsurprised by the fact that the kidnapper would choose Lisa to abduct – skinny, blond-haired, beautifully shod Lisa – instead of plain, awkward Meredith, and drawn to the gap that Lisa has left in the hierarchy of middle school social totems.

Claire, Meredith’s mother, is unashamedly glorying in the fact that her daughter was spared the horrors of kidnap (and no doubt rape and murder) that has been visited upon the Bellow girl, but only on the inside.  She learnt long ago that sharing her more vengeful thoughts relating to those who would harm her children, even with the man she married, is not necessarily a path to peaceful relationships.  Since her son and Meredith’s older brother Evan was visited with a tragedy of his own, Claire has sensed the bonds between her and her children weakening, and her place in the family unit becoming more vague and nebulous.

This is not a book in which the focus is on the hunt for the kidnapper and a swift and action-packed resolution for Lisa.  This book is about ramifications.  The ripple effect that occurs when one person is removed from a social context slowly spreads to encompass all those to whom they were once connected, even in the smallest of ways.  The voice that the author has used here, both for Meredith and Claire, perfectly suited the complex emotional state that the two are working through.  There is plenty of dark humour, with a spotlight on those socially inappropriate thoughts we all have about revenge and people we deem nasty or lauded for absolutely nothing getting their comeuppance.  The jerky and somewhat detached narrative style perfectly suits the level of weirdness that one might expect to experience on having to slot back in to normal life immediately after a majorly traumatic event – especially one that is ongoing and unresolved.

Lest you think that this is a dreary, serious book, allow me to say that I thoroughly appreciated the characters of Evan and Mark (Meredith’s brother and father respectively).  Evan is so utterly likable that his presence is like a stabiliser for the craziness of the outside world….until it’s not.  Mark is a concrete helper, in that he will provide any kind of help necessary, as long as it involves a concrete object – picking up some tater tots from the store, providing new shoes on request – but is less helpful when it comes to spotting and managing emotional states on the verge of collapse.  These two characters provided a neat foil for the darker thoughts of Meredith and Claire and overall the author has done a stellar job of creating an authentic-feeling family in semi-crisis.

**On a side note, can I just say that I was ridiculously overjoyed when reading about the battling animals that Evan and Meredith played with as children (and sometimes still use) because…..I OWN THE EXACT SAME BATTLING ANIMALS!!!!! The ones in the book are surely based on the Papo range of mythical creatures.  I checked, and the Lion does indeed carry a sword in one hand and an axe in the other (although where Meredith and Evan’s Lion is missing a tail, ours is missing part of the axe – not due to biting though).  My favourite is the Rhino.  He guards Mad Martha’s yarn stash.  Just saying.**

I don’t normally enjoy “character relationship” books as much as I did this one, but there were so many aspects of the story that resonated with me on some level that I can do naught but tag this as a Top Book of 2017 pick!

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Until next time,

Bruce

YAhoo! It’s a YA Review: Optimists Die First…

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Optimists Die First by Susin Nielsen combines craft, social anxiety and art therapy in a light-hearted tale of love overcoming fear.  We received a copy from the publisher via Netgalley and here’s the blurb from GoodreadsGoodreads:

Life ahead: Proceed with caution.

Sixteen-year-old Petula De Wilde is anything but wild. A family tragedy has made her shut herself off from the world. Once a crafting fiend with a happy life, Petula now sees danger in everything, from airplanes to ground beef.

The worst part of her week is her comically lame mandatory art therapy class. She has nothing in common with this small band of teenage misfits, except that they all carry their own burden of guilt.

When Jacob joins their ranks, he seems so normal and confident. Petula wants nothing to do with him, or his prosthetic arm. But when they’re forced to collaborate on a unique school project, she slowly opens up, and he inspires her to face her fears.

Until a hidden truth threatens to derail everything.

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Having read and enjoyed Nielsen’s work before, I had a pretty good idea what I was in for going into this and I wasn’t disappointed.  Much like in Word Nerd, Nielsen combines a quirky hobby with a serious social issue – in this case, young people’s mental health – and manages to successfully blend seriousness and humour.

Petula is still grieving the loss of her younger sister and has developed a major generalised anxiety disorder partly from the guilt she feels about her possible role in her sister’s death. New boy in therapy group, Jacob, seems to take his prosthetic arm in stride and although he is secretive about the reasons he is in therapy group in the first place, is able to bring the group together in a way they haven’t managed before.  As the two become better friends, it will be the issue of guilt – perceived and actual – that may drive the two apart even as it brings them together.

Even though there is a bit of romance in this one, I still quite enjoyed Petula and Jacob’s road to friendship and the connections they make with the others in their therapy group.  There are a few twee bits here and there – particularly the ridiculous activities suggested by the leader of the art therapy group – but overall the book shows the growth of the characters and the group in a realistic (if simplistic) way.

I particularly enjoyed the blink-and-you’ll-miss-it cameo from Cosmo, a character in one of Nielsen’s other books.  Despite the fact that the ending is pretty predictable from the outset, I liked spending time with these characters and I appreciate the way that Nielsen manages to address difficult issues without ever losing the ability to inject humour into the situation.

I’m also submitting this one for the Popsugar Reading Challenge 2017 in the category of a book by or about someone with a disability.  You can check out my progress toward this year’s challenges here.

Until next time,

Bruce

An Adult Fiction Read-it-if Review: The Snow Rose…

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If you are looking for something to keep you occupied over the Christmas break – either cosied up in front of a roaring fire or barricaded in an air-conditioned room – then today’s book is definitely one to consider.  I wasn’t sure that I was going to love this one because it’s not my usual sort of adult fiction, but The Snow Rose by Lulu Taylor, which we received for review from PanMacmillan Australia, sucked me in hook, line and sinker.  Here’s the blurb from Goodreads:

Kate is on the run with her daughter, her identity hidden and her destination unknown to her husband and family. She’s found a place where she and Heather can be alone and safe, a huge old house full of empty rooms. But it turns out she’s not alone. There are the strange old ladies in the cottage next door, Matty and her blind sister Sissy. How long can Kate hide Heather’s presence from them? And then the newcomers arrive, the band of eccentrics led by the charming and charismatic Archer. Kate begins to realize that she is involved in something strange and dangerous, and the past she’s so desperate to escape is about to find her . . .

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Read it if:

*you are a fan of stories that seamlessly blend contemporary and historical fiction in a twisty, intertwined way

*the idea of running away to a beautiful old isolated house sounds like paradise when adulting becomes all too much

*you prefer to organise your holiday accommodation through mysterious, untraceable companies offering employment to single ladies

*the likelihood of you being manipulated by a swindler is directly proportional to the youth, attractiveness, wealth and charisma of said swindler

What an absorbing book I found this to be!  The story turned out to be little of what I expected, but better than my expectations nonetheless.  The first thing you should know about The Snow Rose is that it is not one story, but two (possibly even three, depending on how you look at it) related but separate stories.  The first plotline features Kate, who has run away with her daughter for reasons that are only hinted at in the beginning, but become clear further down the track.  The second, related, storyline features past residents of the house, whose experience appears to be repeating itself with its new residents.  As well as those two main storylines, there are also segues into moments in the present that look to be history repeating, and some focus on the people that Kate left behind when she left.  All in all, this isn’t a basic relationship/finding-oneself type novel, as I expected it might be, but a complex, intricately woven combination of historical fiction and contemporary fiction with a hint of speculative fiction and the briefest of nods toward the paranormal thrown in.

The thing that I found most appealing about The Snow Rose was the fact that Kate, as the main character, seemed to be constantly evolving in her understanding of her bizarre situation and how it came to pass.  At no point was I able to predict how her story would turn out because she is, in some senses, unreliable in her insight into her motivations and the outcomes that she is chasing.  The old ladies that she meets while caretaking at the Big House, Sissy and Matty, provide a balance to Kate’s chaotic situation but also throw in new factors to complicate matters – Are they who they say they are?  What do they actually know about the house’s history?  Can they help Kate find her feet?

I loved the historical sections of the book.  Apart from being an abrupt change of pace from the contemporary sections featuring Kate, the characters in the historical section were so vivid and the events so surprising that I was happy to keep coming back to this time period to see what might happen next.  Like Kate, the main character in the historical plot line, Letty, is also going through some turbulent personal growth.

I suppose there may be some readers of this story who dislike the more bizarre, unexpected elements of it, given that these elements are quite unlikely, but these are exactly what lifted the story above your typical tortured soul story in my view. Kate’s story isn’t predictable.  It is quite unlikely.  There are elements throughout that will have the reader questioning what is real and what is not.  And it’s these characteristics that had me totally absorbed in the lives of the characters.

I’d highly recommend this for readers who want to lose themselves in someone else’s life, because in the coiling plotlines of The Snow Rose, there is plenty of opportunity to do so.

Until next time,

Bruce

A YA Double Dip: Beasts of Fantasy and Rocky Realities…

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Sit down, relax and take up your favourite snack for today’s YA-focused double dip review.  I’ve got a contemporary that deals with mental health and teen friendships, and a fantasty retelling of Beauty and the Beast, set in a mythical Japan, so take your pick and let’s wade on in.

First up we have Made You Up by Francesca Zappia. which we received from HarperCollins Australia for review.  Here’s the blurb from Goodreads:

Reality, it turns out, is often not what you perceive it to be—sometimes, there really is someone out to get you. Made You Up tells the story of Alex, a high school senior unable to tell the difference between real life and delusion. This is a compelling and provoking literary debut that will appeal to fans of Wes Anderson, Silver Linings Playbook, and Liar.

Alex fights a daily battle to figure out the difference between reality and delusion. Armed with a take-no-prisoners attitude, her camera, a Magic 8-Ball, and her only ally (her little sister), Alex wages a war against her schizophrenia, determined to stay sane long enough to get into college. She’s pretty optimistic about her chances until classes begin, and she runs into Miles. Didn’t she imagine him? Before she knows it, Alex is making friends, going to parties, falling in love, and experiencing all the usual rites of passage for teenagers. But Alex is used to being crazy. She’s not prepared for normal.

Funny, provoking, and ultimately moving, this debut novel featuring the quintessential unreliable narrator will have readers turning the pages and trying to figure out what is real and what is made up.

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Dip into it for…

…a funny and engaging story full of quirky characters that won’t make you work too hard, but still contains some unexpected twists here and there.  Despite the potential heaviness of the topic – the lead character Alex has schizophrenia and has difficulty differentiating her hallucinations from reality on occasion – this book has quite a light tone for the most part and characters with personality traits that will make you laugh.  Alex can be forgiven for having trouble figuring out what’s real and what’s not at her new school, because it is a bit of a bizarre place.  There’s Miles, the sometimes-German-speaking head of the detention club, a scoreboard that gets more attention from the Principal than the students do, and a bunch of strange goings-on that would have even the least imaginative person around scratching their heads and wondering whether they had slipped into the twilight zone.  As well as Alex’s condition, the book also deals with making new friends in an untrustworthy situation, caring for ill parents, navigating the precarious halls of high school and finding a place to fit in.

Don’t dip if…

…you like a straightforward story where everything is as it seems.  Alex tells us straight up that for her, reality isn’t always exactly as it appears, and unless she records it on her trusty camera, she won’t have a hope of keeping reality straight.  Funnily enough, this bleeds over a bit into the story, so if you don’t like second-guessing every single action and word of every character to test for its voracity, this probably won’t be the book for you.

Overall Dip Factor

I did enjoy this book, although not as much as I expected to.  I had heard great things about it around the blogs and given that it has a mental health theme, I thought it would be up my alley, but there were a few elements that didn’t ring quite true to me.  I loved Alex’s little helpmates – her camera and magic eightball, that help her separate the real from the unreal – but the book situated the schizophrenia more as a cute quirk than as the actual, devastating and debilitating (and in a third of cases, deadly) condition that it is.  There were also a few parts with Alex’s parents right at the end which seemed like a pretty unbelievable response to the situation in question, but I can’t say any more about that because, spoilers.  I suppose I shouldn’t really complain because the book never claimed to be one that was going to deal with mental illness in a realistic and meaningful way, and I really did enjoy the light tone and the main characters (and especially the triplets!) so I can recommend it to those looking for a humorous, reasonably light YA coming-of-age tale with some elements that you won’t see coming.

Next up we have Barefoot on the Wind by Zoe Marriott, which we received from Walker Books Australia for review.  Here’s the blurb from Goodreads:

A companion title to Zoë Marriott’s critically acclaimed Shadows on the Moon, BAREFOOT ON THE WIND is a darkly magical retelling of “Beauty and the Beast” set in fairytale Japan.

There is a monster in the forest…

Everyone in Hana’s remote village on the mountain knows that straying too far into the woods is a death sentence. When Hana’s father goes missing, she is the only one who dares try to save him. Taking up her hunting gear, she goes in search of the beast, determined to kill it – or be killed herself.

But the forest contains more secrets, more magic and more darkness than Hana could ever have imagined. And the beast is not at all what she expects…

Dip into it for…  barefoot-on-the-wind

…a deeply atmospheric foray into family tragedy and having the strength to follow one’s own mind in the face of opposition.  As retellings of fairy tales go, setting one in a fantasy version of historical Japan is a stroke of genius.  I will admit that this was the element that drew me in to this book.   The first few chapters, in which we are introduced to Hana, her peculiar ability to talk to trees, and the shadowy curse plaguing her village, had me immediately hooked.  The writing is laden with imagery and Hana is shown to be kept on the outer by her peers, troubled by grief and family tragedy and yet steadfast in knowing her own mind.  The historical setting of the book felt so unlike any fairy tale I have read before that even though the book is a retelling (or re-imagining, I suppose), there is no deference to the usual tone and motifs typically seen in YA retellings of such familiar tales.

Don’t dip if…

…you are hoping for a Disney-esque retelling of a Beauty and the Beast, complete with twirly skirts and singing furniture.

Overall Dip Factor

As I mentioned earlier, the strongest parts of the novel for me were the beginning and end, as both of these took place in Hana’s village.  In the beginning, as the story moved on and we discover more about the curse of the Dark Wood, I was a little bit sad to let go of the down-to-earth aspects of the story to engage with the fantasy elements, which is unusual for me, but I’m sure those that love fairy tale retellings will adore the unique setting for the Beast and the other forces that manipulate the Dark Wood.  It was great to see a bit of influence of Japanese fantasy culture included here, with a truly frightening spirit throwing her weight around in the latter stages of the story.  If I’m honest, I could take or leave the “romance” bit, which read more like a developing relationship and building of trust than romance (thank goodness!) but the atmosphere and imagery generated by the writing were absolutely absorbing and so I can definitely recommend this to those who love retellings, or indeed those who love a good historical fiction with a fantasy twist.

If neither of these has prompted you to go in for a bite today (really?!), stay tuned, because tomorrow I have a round up of enticing middle grade titles (including some of the best indie reading I’ve done this year!), while on Thursday you can pick over some of my recent DNFs for potential new reading fodder.

Until next time,

Bruce

The Eye of the Reindeer: Snow, Sanity and the Search for Self…

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We readers know that it is super important to make sure you have the right book for the holiday season.  Something that won’t be over too quickly, that will take you on a journey (even if you have to stay at home) and will plunge you right into a new and unexpected world.  Today’s book does all of those things and more in an epic journey toward freedom of body and self, spanning more than 30 years.  We received The Eye of the Reindeer by Eva Weaver from Hachette Australia for review and here’s the blurb from Goodreads:

Shortly after her thirteenth birthday, Ritva is sent away to Seili, an island in the far north of Finland. A former leper colony, Seili is now home to ‘hopeless cases’ – to women the doctors call mad. But Ritva knows she doesn’t belong there. As biting winter follows biting winter, she longs to be near to her sister, and wonders why her father ever allowed her to be taken to this desolate place.

Hope arrives in the form of Martta, a headstrong girl who becomes Ritva’s only friend. Martta is a Sami, from the north. All through her childhood, Ritva’s mother told her wonderful Sami legends and tales – of Vaja the reindeer, the stolen sealskin, of a sacred drum hidden long ago. When Ritva and Martta decide to make their escape, this is where they will head.

So begins an odyssey over frozen sea and land towards a place where healing and forgiveness can grow. This is a story about friendship, about seeing the world through a different perspective, and the stories and tales that can make up a life.

Wowsers, what an epic!  I had absolutely no idea when I started reading this book that it would span such a long time period and feature an unbelievable journey, both in foot miles and in growth of characters.  Ritva is a young woman in 1913 when she is shipped off to Seili, an asylum set on an island in the freezing north, and home to women that have been deemed (correctly or incorrectly) difficult cases.  The daughter of a pastor, Ritva has long experienced strange dreams and visions, and it is only when she meets Martta, a young Sami woman imprisoned with her, that she discovers that her dreams may be related to legends of the Northern Sami people.  After a daring escape, Ritva and Martta are caught up in a journey toward physical freedom from Seili, and the emotional journey of dealing with family history, sexuality and who they really want to be.

The book is broken into a number of parts that correspond with certain legs of the journeys that the girls – and then later on, women – take.  The story begins with Ritva’s time on Seili and we are given certain glimpses into her past and the reasons why her father may have had her committed in the first place.  This family mystery continues throughout much of the book until it is brought to a shocking, yet satisfying conclusion about two-thirds of the way through.    After this, Ritva tries to carve out a place for herself to belong and untangle the pressures of expectation and desire that have weighed her down.

I haven’t read a book like this in quite a long time, if ever.  The Eye of the Reindeer is totally focused on Ritva as she faces incredible challenges throughout her life.  The pace is quite slow, despite the fact that the story begins in Ritva’s adolescence and ends after her middle age, and yet I found each section totally absorbing while I was reading it.  I think my favourite part of the book was Ritva and Martta’s escape from Seili, their unconventional modes of transport and the suspense of potential recapture set against such a hostile environment.  The setting in Scandinavia and the lands at the top of the world was so well described as to almost be a character in itself and I was fascinated by the details relating to the indigenous people of this region – the Sami – and their way of life.  The author leaves some notes after the story is finished about the Sami and their current predicament for those who wish to find out more.

This book certainly won’t be for everyone, given the depth in which it explores difficult subjects like abuse, abandonment and betrayal, and the slow unfolding of the narrative, and certainly isn’t one that, had I known in advance how hefty the story would feel, I would probably have ever picked up.  The atmosphere is quite tense in some parts and particularly gloomy in others, but for the most part there is an undercurrent of hope and determination that spurred me on to find out how Ritva’s story might end.  Overall though, I am so happy to have read Ritva’s story and was completely absorbed in her life as it unfolded.

If you have a space in your schedule in the next few months which could be filled with a vast, sprawling landscape and a young woman slowly picking her way towards truth over the course of an incredible life, then I would definitely recommend you have a go at The Eye of the Reindeer.

Plus, the author has a rhyming first and surname.

That’s always a bonus.

Until next time,

Bruce

Finales and New Beginnings: A YA Double Dip Review…

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Today’s YA Double Dip Review will require a snack that won’t repeat on you easily because today’s books feature a fair bit of graphic gore.  We received both of today’s titles from HarperCollins Australia for review, so let’s get dipping!

First up is the conclusion to Derek Landy’s action-packed, monster-fuelled Demon Road series, American Monsters.  Here’s the blurb from Goodreads:

Bigger, meaner, stronger.

Amber closes in on her murderous parents as they make one last desperate play for power. Her own last hopes of salvation, however, rest beyond vengeance, beyond the abominable killers – living and dead – that she and Milo will have to face.

For Amber’s future lies in her family’s past, in the brother and sister she never knew, and the horrors beyond imagining that befell them.

Dip into it for…  american-monsters

…a finale that really does the series justice.  I am so glad that Landy didn’t fall into the trap of trying to draw the ending out as long as possible while attempting to eke every last ounce of readability out of the story because its an all too common tactic of authors finishing up a profitable series.  American Monsters is perfectly paced, switching between action and banter, with some excellent twists to keep the ending interesting.  The book is a reasonably quick read, which I was pleased about, and there is no faffing about introducing new characters or new plotlines that take up space. Rather, Amber and Milo get straight down to the business of hunting down her parents (with a few Astaroth-ordered stop offs along the way) while trying to figure out a way to backstab both her parents and Astaroth in one (or at the most two) easy manoeuvres.

Don’t dip if…

…you haven’t read the other books in the series.  You could probably still enjoy the action parts of the book, but as all of the characters and back story are well and truly established, you may find yourself a tad confused about what’s going on.  I myself had a bit of trouble remembering exactly who was who with a few of the bad guys and serial killers that made an appearance, and a character glossary at the beginning would have been helpful for old fogeys like me who suffer from a touch of the Old Timer’s disease.

Overall Dip Factor

I have to reiterate what a satisfying series finale this is.  It’s pacey, familiar faces turn up in unexpected places and while I did say there are no new characters to muddy the waters, there is a hitherto unmet mysterious trucker who certainly throws a few hellish spanners in the works for Amber and Milo.  There’s a lot more soul-searching going on for Amber here (although not so much that it slows the pace) as she attempts to reconcile being a demon’s servant with the more human and humane parts of herself.  The ending wraps things up nicely, while leaving the way open for a possible fourth story, but Derek Landy returning to a series after it’s obviously finished? Pfft, as if that’s likely to happen!

Next up is a story of new beginnings: Girl in Pieces by Kathleen Glasgow.  Here’s the blurb from Goodreads:

Charlotte Davis is in pieces. At seventeen she’s already lost more than most people lose in a lifetime. But she’s learned how to forget. The broken glass washes away the sorrow until there is nothing but calm. You don’t have to think about your father and the river. Your best friend, who is gone forever. Or your mother, who has nothing left to give you.

Every new scar hardens Charlie’s heart just a little more, yet it still hurts so much. It hurts enough to not care anymore, which is sometimes what has to happen before you can find your way back from the edge.

A deeply moving portrait of a teenage girl on the verge of losing herself and the journey she must take to survive in her own skin, Kathleen Glasgow’s debut is heartbreakingly real and unflinchingly honest. It’s a story you won’t be able to look away from.

Dip into it for… girl-in-pieces

…one part standard psychiatric hospital story, one part standard recovery story and one part interesting take on “homeless girl makes good” story.  What Glasgow has done particularly well here is the realistic depiction of the post-hospitalisation experience, in which Charlie is left on her own with no support and is expected to manage both her illness and the basic problems of life, like finding a job and somewhere to live. The short, choppy chapters, particularly at the start and towards the end of the book, reflect Charlie’s state of mind and her precarious situation. It’s obvious that Glasgow has insider knowledge about the internal conflict experienced by someone trying to recover from trauma or mental illness that swings between choosing life-affirming strategies and giving in to familiar impulses.  Charlie is a young woman who has experienced abandonment, the loss of family and friends, drug abuse, homelessness and sex trafficking before her sixteenth birthday and as a result, is left with a steep hill to climb towards a comfortable life.  Hope prevails though, surprising as that is, and Charlie keeps putting one foot in front of the other, despite being rocked by those around her.

Don’t dip if…

…you’re looking for a story bathed in sunshine and rainbows.  Even though there are some hopeful aspects to the story, overall it can come across as a pretty depressing read.  The amount of struggling that Charlie has to do just to catch a break is a bit of a downer, but once again, that’s often the reality for people on the bottom rung of society trying to climb up.  There’s also a fair amount of violence (self-harm in particular), drug use and sexual assault, so if those are topics that you’d rather steer clear of, this is definitely not the book for you.

Overall Dip Factor

While I think this is an authentic and engaging story about a traumatised young woman trying to make a go of her life against all odds, I still feel like I’ve read this all before.  Call it an occupational hazard of blogging, or the consequence of having a special interest in fiction (and particularly YA fiction) relating to mental health, but I do feel like I’ve seen this story, or versions of it, umpteen times before, in Girl, Interrupted, The Mirror World of Melody Black, The Pause, Skin and Bone, It’s Kind of a Funny Story, Cracked and pretty much all of Ellen Hopkin’s work, not to mention the memoirs of Kate Richards, Sandy Jeffs, Anne Deveson and Patrick Cockburn.  If you have not delved quite as deeply as I into the realms of fiction relating to mental illness and trauma, then Girl in Pieces would probably be a good place to start, provided you are prepared for some confronting content in places.  Glasgow has left out no detail of the travails and triumphs on the road to recovery from a place of deep suffering and readers will be wishing Charlie the best of luck and all good things by the time the novel reaches its conclusion.

Have either of these titles given you an appetite for more reading?

Until next time,

Bruce

 

 

Bruce’s Reading Round-Up: The Adult Fiction (and a bit of non-fiction) Edition…

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imageStrap on your most grown-up looking cowboy hat and let’s ride into today’s Round-Up!  I’ve got four titles for you today suitable for the lover of fine novels and lateral thinking.  I received all of these titles from their respective publishers or authors in exchange for review.

Celluloid (Holly Curtis)

Two Sentence Synopsis:celluloid

Jimmy Clifford is thirty-something, depressed, shut-in and owner of a mildly successful video rental store.  When he finds out that The Crypt, a heritage cinema that shows classic films just a stone’s throw from his home, is due to be demolished Jimmy must fight the demons of depression, anxiety and being an impromptu events organiser to try and save his beloved theatre.

Muster up the motivation because:

This is an indie offering that is dialogue-driven and will definitely leave you with an amused little smirk.  Jimmy is a very likeable character thrown into a difficult position and is surrounded by a bunch of quirky and generally pretty funny friends, enemies and hangers-on.  There are a lot of laughs to be had here from the dialogue and as we follow Jimmy through a few short weeks we are privy to a man emerging from a deep hole of depression into the slightly-too-sunny-but-quite-optimistic-nonetheless light of day. This is a book with a simple concept, but a lot of heart.  And chuckles.

Brand it with:

Play it, Sam; Two Dollar Tuesdays; Friends without the gorgeous women

Barsk: The Elephants’ Graveyard (Lawrence M. Schoen)

Two Sentence Synopsis:barsk

Set in a futuristic world, on a planet where anthropomorphic, medically talented elephants known as the Fant are the dominant species and have developed medicines on which many offworlders depend, the time is coming when the Fant’s knowledge may be taken from them by force.  After developing a drug which allows some Fant to speak to the recently deceased, offworlders launch an offensive to find out the secrets of the Fant.

Muster up the motivation because:

Elephant doctors, obviously.  I was only granted access to an extract of this book, but the first few chapters really do a great job of world building.  We are immediately introduced to the death rituals of the Fant, and find out that a significant Fant’s death may also hide a significant secret.  There is also a young, misfit Fant introduced that may have a major part to play in protecting the Fant’s knowledge.  While the extract threw up many questions about the rest of the book, I am definitely interested in finding out more about this original story.

Brand it with:

Dr Pachyderm; Life after death; Watch out for the quiet ones

Dark the Night Descending: The Paderborn Chronicles #1 (Jennifer Bresnick)

Two Sentence Synopsis:dark the night descending

Arran Swinn is a ship’s captain who asks no questions about his cargo. He probably should have in this case however, as it lands him in a life or death struggle with a face-changing murderess, sees him making a bargain for his life he can’t hope to keep and being pursued by a single-minded Guild inspector who wants to see him hang.

Muster up the motivation because:

There is some really strong world building here and a rollicking adventure with a hapless but lovable anti-hero.  In this strange world are the neneckt – water-dwelling face-changers with a distrustful relationship with humans – and the Siheldi – a mysterious and deadly ghost-race that apparently come out only at night to suck the souls out of the unfortunate.  The tale is fast-paced as Arran races from one disaster to the next and enough creepiness balanced with humour to keep the reader engaged throughout.  There are some quite frightening scenes with the Siheldi and plenty of twists as Arran finds out who he can trust and who might just turn on him at the drop of a medallion. I’m not sure I’ll go the extra mile and continue with this series, but this first offering is certainly worthy of filling a fantasy/adventure-shaped gap in your TBR list.

Brand it with:

You look familiar, Did you pack this bag yourself?, High seas adventure

The Pilot Who Wore A Dress: And Other Dastardly Lateral Thinking Mysteries (Tom Cutler)

Two Sentence Synopsis:the pilot who wore a dress

A collection of lateral thinking puzzles, their solutions and instructions on how to use them to have a grand old time.  From old favourites to new tricks, this is an essential shelf filler for those who love to think outside the box and look superior to their friends.

Muster up the motivation because:

If you are a lover of lateral thinking riddles, this book will provide satisfaction, as you confidently and correctly answer the riddles you’ve heard before, and frustration, as you grapple with hitherto unseen brain-bafflers.  The book is split into categories, starting off gently before moving to more complex puzzles.  The riddles are written out as stories, which began to annoy me after a while, but as the introduction mentions, the book is really intended to be used with a group of people, hence the elaborate story set-ups.  For dipping in and out of as an individual though, this book would be a lot of fun, with the added bonus of making you a decided expert in the field of lateral thinking puzzles.

Brand it with:

Outside the box, Questionable motives, Fun for introverts

Hopefully there’s something here you feel like lassoing and dragging home to your reading nook.

Until next time,

Bruce

 

 

 

 

An Unconventional YA Double Dip: Goldfish and Geriatrics..

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Grab a snack and assume a comfortable semi-reclined position and let’s dip into a pair of YA titles…well, actually one is upper middle grade… featuring teen girls and their relationships with their fathers. I received both of today’s titles from the publisher via Netgalley and having looked at some of the early reviews on Goodreads, it appears I enjoyed these quite a bit more than the average punter. Let’s dive in though, shall we, starting with the more conventional of the two of these unusual stories.

Isabelle Day Refuses to Die of a Broken Heart by Jane St. Anthony is the gentle and understated tale of a young girl working through grief. Here’s the blurb from Goodreads:

In Milwaukee, Isabelle Day had a house. And she had a father. This year,Isabelle Day on Halloween, she has half of a house in Minneapolis, a mother at least as sad as she is, and a loss that’s too hard to think—let alone talk—about.

It’s the Midwest in the early 1960s, and dads just don’t die . . . like that. Hovering over Isabelle’s new world are the duplex’s too-attentive landladies, Miss Flora (“a lovely dried flower”) and her sister Miss Dora (“grim as roadkill”), who dwell in a sea of memories and doilies; the gleefully demonic Sister Mary Mercy, who rules a school awash in cigarette smoke; and classmates steady Margaret and edgy Grace, who hold out some hope of friendship. As Isabelle’s first tentative steps carry her through unfamiliar territory—classroom debacles and misadventures at home and beyond, time trapped in a storm-tossed cemetery and investigating an inhospitable hospital—she begins to discover that, when it comes to pain and loss, she might actually be in good company. In light of the elderly sisters’ lives, Grace and Margaret’s friendship, and her father’s memory, she just might find the heart and humor to save herself.

With characteristic sensitivity and wit, Jane St. Anthony reveals how a girl’s life clouded with grief can also hold a world of promise.

Dip into it for…

… a leisurely pace and an authentic representation of a grieving young person trying to adjust to loss and a new environment. Nothing really bad happens in this story and there aren’t really flashpoints or dramatic upswings in action, but Isabelle certainly experiences some significant growth over the course of the book. This really reminded me of the impactful and gentle stories in Glenda Millard’s exceptional Kingdom of Silk series, that deal with difficult topics in an accessible way, but pitched at slightly older readers.

Don’t dip if…

…you’re looking for an upper middle grade book that features familiar tropes and episodic action. This has neither. In the early reviews I’ve read for this book, a number of reviewers have noted the lack of action as a negative feature, and I agree that there is something that does feel lacking in the sense that there doesn’t seem to be a discernible climax.

Overall Dip Factor:

I suspect that this is going to be a bit of a niche read, appealing to those who prefer relationship-driven tales to those featuring lots of action and the usual YA tropes of cliques, bullying and boys. I was quite impressed with the warmth and hope of the ending and while I wanted there to be more development in Isabelle’s relationship with her elderly neighbours, the ending sort of made up for that. I think the author has done a good job of authentically relaying Isabelle’s feelings of grief and disorientation and as this is at the crux of the story, younger readers who haven’t had these life experiences may find it hard to relate to Isabelle and the importance she places on milestones such as making a new friend.

Overall, I have to say I enjoyed Isabelle Day Refuses to Die of a Broken Heart and found it to be a solid upper middle grade choice for those young readers who are ready to explore a difficult life experience in narrative.

Next up we have a supremely unconventional YA story that also features some startling conventionality. I immediately related to the main character of Silence is Goldfish by Annabel Pitcher, and I’m still dissecting the layers of this book. Like a good trifle. Anyway, here’s the blurb from Goodreads:

My name is Tess Turner – at least, that’s what I’ve always been told. I silence is goldfishhave a voice but it isn’t mine. It used to say things so I’d fit in, to please my parents, to please my teachers. It used to tell the universe I was something I wasn’t. It lied. It never occurred to me that everyone else was lying too. But the words that really hurt weren’t the lies: it was six hundred and seventeen words of truth that turned my world upside down.

Words scare me, the lies and the truth, so I decided to stop using them.

I am Pluto. Silent. Inaccessible. Billions of miles away from everything I thought I knew.

Tessie-T has never really felt she fitted in and after what she read that night on her father’s blog she knows for certain that she never will. How she deals with her discovery makes an entirely riveting, heart-breaking story told through Tess’s eyes as she tries to find her place in the world.

Dip into it for…

…a selective mute with an imaginary talking goldfish for an ally, weathering the storm of family drama, cyberbullying and teenaged identity confusion. I related to Tess straight away and reading of her solitary, passive, silent protest made me wish I’d thought of it as a young gargoyle going through various mental health dramas. Pitcher has written Tess as an incredibly authentic 15-year-old: immature, naïve, self-focused, struggling with issues outside her control and desperate for connection. I particularly enjoyed the way in which Tess grew throughout the story, eventually claiming her appearance and existence and using this knowledge to achieve her ends.

Don’t dip if…

…you don’t think you can relate to a rendering of a teen as immature, naïve and self-focused. I suspect that some people will find Tess to be just irritating, particularly if they have never experienced any kind of major mental upset. Also, as Tess becomes a selective mute for much of the book, there is a fair bit of monologue here…or at least, dialogue between Tess and her imaginary fish friend…which some might find tedious after a bit. I’m not the greatest fan of monologuing and I did feel there was a bit of a sag in the middle of this tale.

Overall Dip Factor:

Admittedly, there were a few things that I didn’t love about this book, including the oft-used clique of three popular bitch girls (why is it always three?!) and the quick change in friendship fortunes early on, which seemed unlikely to me. On the other hand, one of the strengths of this book is that Tess is clearly naïve in that she wants her imagining of certain relationships to be real, and it is clear that while she knows that some people may not be working in her best interests, she prefers to rely on what she would like to be true than to accept the signs that are pointing to reality.

One of the interesting things about this book is that it will be obvious to the reader where the wind is blowing, so to speak, with many of the plotlines in the book, but knowing what is likely to happen didn’t dampen the satisfaction I found in going along with Tess toward the inevitable discoveries that were going to be made. It was like reading an interesting case study: because I already knew (or suspected) what the outcome would be, I could better observe Tess’s actions and appreciate her journey through denial to acceptance – of herself and the circumstances.

Clearly, this book isn’t going to be for everyone. But it was for me. I think I shall reserve a special place for Tess (and Mr Goldfish) on the shelf should they ever wish to visit.

That’s it from me for now.  I’m off to find out if they sell Eccles cakes in Australia, so I’ll be prepared for the next double-dip outing.

Until next time,

Bruce