Mondays (and in this case, Thursdays) are for Murder: Date with Death…

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Well, last time I was complaining that Monday had come around too fast.  This time, it’s come so quickly that it’s got to Thursday before I can put up Monday’s post.  Sorry about the delay this week, but the week was busy, then when I sat down to blog I realised the keyboard had decided to retire without telling me, so I had to track down a new, more enthusiastic keyboard that was willing to work with no pay and under the constant threat of tea spillage and here we are, it’s Thursday.

Today’s book is the opener of a new cosy mystery series set in the Yorkshire Dales and although it has a punny title, I really enjoyed it.  We received our copy of Date With Death (Book 1 in the Dales Detective Series) by Julia Chapman from PanMacmillan Australia for review and here’s the blurb from Goodreads:

Samson O’Brien has been dismissed from the police force, and returns to his home town of Bruncliffe in the Yorkshire Dales to set up a detective agency while he fights to clear his name. The people of Bruncliffe, however, aren’t that welcoming to a man they perceive as trouble – and he is greeted by his old friend, Delilah Metcalfe, not with an hug but a right hook that sends him sprawling.

Delilah, meanwhile, is besieged by financial concerns and struggling to keep her business, the Dales Detective Agency, afloat – all while trying to control her wayward Weimaraner dog Tolpuddle. Then when Samson gets his first case, investigating the supposed suicide of a local man, things take an unexpected turn, and soon he is discovering a trail of deaths that lead back to the door of Delilah’s agency. With suspicion hanging over someone they both care for, the two feuding neighbours soon realise that they need to work together to solve the mystery of the dating deaths – and working together is easier said than done.

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Plot Summary:

Delilah is in deep debt and struggling to hang on financially until her dating agency business gets off the ground. When Samson O’Brien returns to the Dales in disgrace, Delilah’s only financial option is to let him rent out her ground floor office for his new detective agency…a timely move indeed because it seems someone in their community is picking off members of Delilah’s agency one by one.

The Usual Suspects:

This is a bit of a tricky one because there isn’t anyone in the village (or beyond) who particularly stands out as someone who would happily be serial killing members of a dating agency.  As the story moves along, instead of actual people as suspects our protagonists try to build up a mental picture of who such a person might be.

The Hunt for the Murderer/s:

This is quite a refreshing aspect of the book because in your usual murder mystery you at least have a few suspects to work with.  It takes a little while to prove that the deaths are indeed murder, and then the hunt involves some rather tricky and dangerous tactics.  As well as attending the odd speed dating night out.

Overall Rating:

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Four poison bottles for the amount of dutch courage needed to get through a blind date with a farmer whose personal hygiene habits receive only passing attention

Despite the fact that this is definitely a cosy and there is a lot of time spent on developing the characters, both main and secondary, I thoroughly enjoyed this one and would certainly be interested in following the series.  Delilah is the only girl in a family of manly men and is determined to make her business successful after a recent divorce.  Samson is the black sheep of the village, having left his alcoholic father in dire circumstances (in the opinion of the town) to swan off to London and bag a high paying and dangerous job with the Met.  When Samson returns home, his welcome is not particularly warm and he discovers that many things have changed drastically since he’s been away.  Samson’s return coincides with a little problem at work which he wants to keep hidden from the villagers at all cost.

I quite enjoyed the premise of the murdered folk all being from the same dating agency (although I’m sure this has been done before in some way, shape or form in other cosies) as well as the way in which Delilah and Samson (eventually) go about sorting it out.  It seems rather far-fetched that no one would bother to inform the police about their suspicions, but it works for the story and makes the eventual hunt far more suspenseful, knowing that Delilah and Samson are on their own.

As one who likes my mysteries twisty and my murders happening in quick succession, I did find the long sections developing characters, backstory and village life a little distracting, but I accept that this is obviously one of those series where the relationships between the characters and their relationship with their environment is of utmost importance.  The book also sets a bit of groundwork for other books in the series.  There are definitely some shady characters getting around Bruncliffe that will no doubt play a part in nefarious doings further down the track.

There’s a lot going on here that will satisfy those looking for both an exciting mystery and a story about coming home and reinventing oneself.  I must give a shout-out to the collective folk of the retirement village, of which Samson’s father is part, for lifting the mood whenever they appeared.  I’m glad to see that they will feature heavily in the next book in the series.  I would certainly recommend giving this one a go as your next holiday read, or, if you happen to live in the Southern Hemisphere, it’s the perfect book to snuggle up under a blanket with on a rainy, lazy weekend…for whenever the humidity decides to bugger off for good.

I will be submitting this book for the Popsugar Challenge under the category of “author using a pseudonym” because Julia Chapman is the pen name of Julia Stagg. You can check out my challenge progress here.

Until next time,

Bruce

Mondays are for Murder: Shake Hands or Die…

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How did it get to be Monday again so fast?  However it happened, Monday means murder and we received Shake Hands or Die by Michael Northey from the publisher via Netgalley for review.  Here’s the blurb from Goodreads:

“Father John was friendly during the services. He had no problem in greeting people during the Peace, where people wander about mid-service saying hello, peace, waving, some greeting others with a chaste hug, in general recognition of being one big family. He had a nice smile. Only he never stood at the church door after service to shake hands or say goodbye…”

Wacky new vicar Father John aims to modernise St Martha’s church in the delightful city of Hillford. People love his fun gimmicks but cannot understand why he will not ever shake hands at the end of service. Even the charming archdeacon, Babs, cannot get him to change his mind. Until one day, the reason becomes crystal clear.

Ambitious journalist Fred Vestal, on loan from a London tabloid, is trying to shake up the sleepy local paper. He turns up to a service at St Martha’s and sees an uninhibited children’s play. After getting a sniff of a story, he interviews the vicar and writes a vicious article, labelling Father John as a public menace.

When they next meet, Father John refuses to shake hands with Fred. Soon afterwards a body is found in a pile of compost in the churchyard. The little cathedral city of Hillford, where even the police seem off-beat, looks for an answer…

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Plot Summary:

John is a vicar with some madcap methods that seem to be bringing the punters back to the Church. Fred is a journalist with the aim of making a name for himself, no matter how many reputations he destroys in search of the truth. When Fred is found dead outside John’s church, for the police all roads seem to lead to Rome. (Well, C of E).

The Usual Suspects:

For much of the book, there are only two suspects: John the vicar and a gang of thugs who were last seen carrying Fred off on their shoulders, ostensibly in hero worship.  Really though, the police only ever suspect John, given the fact that he has motive and, rather stupidly in our opinion, buggered off immediately after the murder happened.

The Hunt for the Murderer/s:

Starts off farcically, takes a slide through bizarre Shakespearean monologue and finishes without the police doing much at all.

Overall Rating:

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Two poison bottles for the kind of quirky comedy one might find in “Carry on, Vicar”.

 

This turned out to be wholly and utterly the kind of cosy mystery from which I normally steer well clear.

You know the ones.

There’s a veritable tsunami of ones set in America, with themes of knitting, baking or painting and suitably pun-laden titles such as Grand Hoummus-cide and Brushed Off and Hooked on Murder.  In these mysteries, the focus tends more toward the quirkiness of the setting/characters/situation and less toward an actual reasonable murder mystery with a logical and intriguing solution.

So it was with Shake Hands or Die.  Strangely though, the irritating quirkiness didn’t really start to show itself until about a third of the way through, so I was already drawn into the story before I twigged to exactly the kind of quicksand of ridiculum into which I had unwittingly stepped.  The first third of the story introduces John and his wacky, lively methods that have swelled the congregation of his parish church, as well as his idiosyncratic insistence on not shaking hands after the service.  By a third of the way through, the reader is given the necessary back story as to why shaking hands is such a stressor for John, and the story then moves on to introduce soon-to-be-dead Fred, the journalist with an axe to grind.  The second third of the book starts to deal with the relationship between John and Fred, features the murder of the aforementioned soon-to-be-dead Fred and then quickly descends into absolute silliness from which an ensemble cast of absolute loonies takes the stage.

We have the gang of thugs who are actually university educated professionals in disguise who spend their time calling each other canine-inspired names and being smugly sarcastic to those less educated than themselves.  There’s Karen, the fiancee of dead Fred, who gets pages and pages of soliloquy on the spot of her lover’s demise, replete with phrases like, “Oh Fred, my Fred, my darling, my only love, Fred!”

I kid you not.

There’s also a vigilante gang of old people (including the indespensible retired army Major character) who attempt to do some investigating of their own. Then there’s the police – an odd couple who are having an affair, of which much is made, as well as having difficulty agreeing on how to go about investigating the crime, of which little is made.  One of the policeman is also brother to a local councilman and these two speak in the most unlikely contrived way to each other that it had me scratching my head throughout.

The ending and reveal eventually come with a whimper rather than a bang, and by this stage I could not fathom what it was that I had just read.  Either this cosy mystery thing has blown out toward whimsy beyond all proportions, or the editor of this one read the first third, decided, “Yep, that should be fine”, and subsequently didn’t bother casting an eye over the rest.

I’d recommend this is you like murder mysteries that make you feel as if you’ve tripped and stumbled into the twilight zone of contrived English countryside villages.  Otherwise, it’s probably best to move right along.

Until next time,

Bruce

 

 

Mondays are for Murder: The Chalk Pit…

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As promised, here is my second Murderous Monday for February – and it’s a cracker of a read for those of you who enjoy serial police procedurals.  We received a copy of The Chalk Pit by Elly Griffiths, the ninth book in the Ruth Galloway series, from the publisher via Netgalley and here’s the blurb from Goodreads:

Boiled human bones have been found in Norwich’s web of underground tunnels. When Dr Ruth Galloway discovers they are recent – the boiling not the medieval curiosity she thought – DCI Nelson has a murder enquiry on his hands.

Meanwhile, DS Judy Johnson is investigating the disappearance of a local rough sleeper. The only trace of her is the rumour that she’s gone ‘underground’. This might be a figure of speech, but with the discovery of the bones and the rumours both Ruth and the police have heard of a vast network of old chalk-mining tunnels under King’s Lynn, home to a vast community of rough sleepers, the clues point in only one direction. Local academic Martin Kellerman knows all about the tunnels and their history – but can his assertions of cannibalism and ritual killing possibly be true?

As the weather gets hotter, tensions rise. A local woman goes missing and the police are under attack. Ruth and Nelson must unravel the dark secrets of The Underground and discover just what gruesome secrets lurk at its heart – before it claims another victim.

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Plot Summary:

Bones are found at the site of an underground development. A homeless woman goes missing (or does she?).  Two homeless men are murdered.  A young mother vanishes without trace, leaving her four young children behind.  Is there a link?  Only time (and thorough investigation) will tell.

The Usual Suspects:

This is a bit of an unusual read in terms of suspects, because for the majority of the book, the police don’t have any.  Well, any suspects with any particular evidence attached to their names.  While this does make it difficult for those wishing to guess ahead to who the murderer might be, it did up the suspense and mystery factor because these things seemed to be happening completely out of the blue.

The Hunt for the Murderer/s:

While there are murders in the story, the hunt is mostly geared toward finding the links between various happenings…because as I mentioned above, the police don’t really have any suspects.

Overall Rating:

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Four poison bottles for the heavy sigh of someone being murdered in their sleep

I will admit to loving a good police procedural, and this is a good police procedural.  I had no idea when I requested it that it was number nine in a series and it certainly doesn’t read like a story in which the characters are mired in backstory that is impenetrable to the reader new to the series.  It is obvious that there are many connections between each of the characters, but these are discussed just enough to ensure that you know who’s who and how they are related, but not so much that it drags the focus off the investigation.  Essentially, Ruth is an archaeologist, Nelson is a policeman, they have a past, now let’s get on with it.

The investigation is expertly paced and involves multiple interlinked events culminating in an unexpected and sort of tabloid (but satisfyingly so) ending.  The focus is so much on the various events that happen – discovering the bones, the two separate murders, the missing lady and so forth – that the tension is continually building as the investigation continues and the pieces start to fall into place.

I enjoyed this as a story that I could just fall back into every time I picked it up and I will definitely seek out more from this series in the future.  Have you read any of Ruth Galloway’s previous adventures?

Until next time,

Bruce

Mondays are for Murder: The 12.30 from Croydon

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As promised, here is the first of two Murderous Monday posts for February.  Today’s book is going to count toward the Wild Goose Chase Reading Challenge under category six, a book with a mode of transport in the title.  You can check out my progress toward the challenge here. The 12.30 From Croydon by Freeman Wills Croft is a bit of classic British crime fiction with a twist.  We received a copy from the publisher via Netgalley and here’s the blurb from Goodreads:

We begin with a body. Andrew Crowther, a wealthy retired manufacturer, is found dead in his seat on the 12.30 flight from Croydon to Paris. Rather less orthodox is the ensuing flashback in which we live with the killer at every stage, from the first thoughts of murder to the strains and stresses of living with its execution. Seen from the criminal s perspective, a mild-mannered Inspector by the name of French is simply another character who needs to be dealt with. This is an unconventional yet gripping story of intrigue, betrayal, obsession, justification and self-delusion. And will the killer get away with it?”

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Plot Summary:

A tale of murder told from the point of view of the murderer, this book is an in-depth study of the carrying out of a “perfect” crime.

The Usual Suspects:

For the second time this year I am bringing you a “not your typical” murder mystery, in the sense that, from the very beginning – or thereabouts – we know who the murderer is.  This is because the book follows the main character as he plans and carries it out. This book is also different in the sense that it carries the reader through two inquests and a full trial before the story is done.

The Hunt for the Murderer/s:

Even though we know who the killer is, it is fascinating to watch through his eyes as the police investigate here and there, seemingly moving closer and then further away from the clues that might give the murderer away.  The second half of the book deals with the murderer’s keen interest in the hunt put on by the police.

Overall Rating:

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Four poison bottles for the roller-coaster of emotions of a murderer wondering whether or not he will be caught.

I thoroughly enjoyed getting into this one, even if the “mystery” element of the murder-mystery equation was thoroughly absent.  It was fascinating to follow the protagonist’s – Charles Swinburne’s – train of thought as a convenient solution presents itself to his financial and personal difficulties.  Despite being a murderous murderer, Charles is quite a likable and ingenious bloke, with a real knack for malice aforethought, once he gets going.

Some readers may find the story a tad repetitive.  Because we are privy to all Charles’s pre-planning, the information brought out at the inquests and trial is not at all new to us as readers, and by the end I did find it a bit odd that I was sitting through what amounted to a detailed retelling of the story that I had already read.  By that stage I was thoroughly invested in the outcome however, and putting the book down was no longer an option.  The ending is something of an anti-climax, in that it wraps up quite abruptly, but the author has done a fantastic job of tying up every possible loose end.

I would highly recommend this if you are in the mood for a bit of classic historical mystery, from a slightly unexpected angle.

Until next time,

Bruce

Mondays are for Murder: Beastly Bones…

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Welcome to our first murderous Monday for the year!  I have taken the liberty of choosing a murder mystery out of left field for today because it also allows me to knock another book off my Mount TBR Reading Challenge for 2017 and my Colour-coded Reading Challenge, both of which are hosted by Bev at My Reader’s Block.  Beastly Bones is the second book in the Jackaby series by William Ritter, a historical mystery series with a paranormal twist. You can see our review of the first book here – I’m surprised that it’s actually been two and a quarter years between drinks for me and this series!  Anyway, here’s the blurb from Goodreads:

I’ve found very little about private detective R. F. Jackaby to be standard in the time I’ve known him. Working as his assistant tends to call for a somewhat flexible relationship with reality . . .

In 1892, New Fiddleham, New England, things are never quite what they seem, especially when Abigail Rook and her eccentric employer, R. F. Jackaby, are called upon to investigate the supernatural. First, members of a particularly vicious species of shape-shifters disguise themselves as a litter of kittens. A day later, their owner is found murdered, with a single mysterious puncture wound to her neck. Then, in nearby Gad’s Valley, dinosaur bones from a recent dig go missing, and an unidentifiable beast attacks animals and people, leaving their mangled bodies behind. Policeman Charlie Cane, exiled from New Fiddleham to the valley, calls on Abigail for help, and soon Abigail and Jackaby are on the hunt for a thief, a monster, and a murderer.

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Plot Summary:

Abigail and Jackaby are called in to consult when a lady’s cats seem to be morphing into another species entirely. When said lady is found dead within days of the visit, the pair are drawn into a mystery that may have explosive consequences.

The Usual Suspects:

Not being your typical murder mystery, there is really only one suspect in the murders here and that suspect can be described as having at least two long, piercing fangs.  Or a particularly deadly set of cocktail forks.

The Hunt for the Murderer/s:

This is what annoyed me most about this book.  The hunt for the murderer/s, and indeed the murders themselves, took a backseat to the matter of the “beastly bones”, an archaeological dig that quickly turns mythological.  By the end of the book we are none the wiser as to who the murderer is, and the murders of this book look like they will end up being solved in the next book in the series.

Overall Rating:

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Two poison bottles for the fleeting sensation of discovery before it evaporates in the face of distraction from shiny things

I was disappointed with this book.  It lacked the charm and novelty of the first book in the series, and, most dispiriting of all, the most interesting parts of the book – the inexplicable murder and Jenny the ghost’s complete freakout – are completely ignored in favour of mythical beast hunting.  I found the middle section of the book, which dealt with the discovery of gigantic, mystery fossils to be interminably boring and it seemed particularly odd that the author spent so much time developing the characters and backstory of the two archaeologists in the story at the expense of developing suspense or highlighting the murders connected with the archaeological dig.

The final few chapters do bring things back into line and the protagonists finally see their way to making strides on the murders and who might be behind them.  This was the best part of the book for me because even though it was only a chapter or two, the suspense was suddenly back.  While this offering was a big thumbs down generally from me, I am excited to see what happens in the third book because there are hints that Jackaby and Rook will be back on the trail of deadly, secretive murderers, or at least finding out more about Jenny the ghost, rather than gadding about in the dirt with bones.

The third book in the series, Ghostly Echoes, is already out.

To make up for bringing you a book I’m not overly enthusiastic about this month, next month I will have TWO murderous Mondays for you.

You can check out my progress toward my various reading challenges here.

Until next time,

Bruce

 

Mondays are for Murder: The Adventure of the Christmas Pudding

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It’s our final Monday Murder for the year, so I thought I’d go a bit festive and bring you Agatha Christie’s The Adventure of the Christmas Pudding, a collection of six short stories with all but one featuring Poirot.  The odd one out features Miss Marple in a remarkably brief appearance.  The book also has a foreword by Agatha Christie, which I found delightful, recounting, as it does, Christie’s memories of Christmas time as a youngster.  Here’s the blurb from Goodreads:

Agatha Christie’s seasonal Poirot and Marple short story collection.

First came a sinister warning to Poirot not to eat any plum pudding… then the discovery of a corpse in a chest… next, an overheard quarrel that led to murder… the strange case of the dead man who altered his eating habits… and the puzzle of the victim who dreamt his own suicide.

What links these five baffling cases? The little grey cells of Monsieur Hercule Poirot!

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Plot Summary:

The six stories contained herein are the titular Adventure of the Christmas Pudding, The Mystery of the Spanish Chest, The Under Dog, Four-and-Twenty Blackbirds, The Dream and Greenshaw’s Folly (which features Miss Marple).  All but the first feature murders being solved ingeniously by either Poirot or Marple.  The first story, however, is about the theft of a priceless jewel.  

The Usual Suspects:

As there are so many different stories here, I can’t really go into detail about the suspects, but you can rest assured that the stories include all the old favourites, from long lost brothers returned from the African continent, to people pretending to be someone else, to people in disguise, to people hoping to inherit the murdered person’s worldly goods.  

The Hunt for the Murderer/s:

Once again, specific details vary, but for the Poirot stories, our favourite Belgian is generally called in by the police or an interested party, does his questioning bit, and then casually reveals the killer before the story abruptly finishes.  Similarly, in Greenshaw’s Folly, Miss Marple only experiences proceedings second-hand, yet still manages to pick motive, method and murderer, having never laid eyes on the scene or the players.

 

Overall Rating:

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Four poison bottles for the cheery thought of a traditional Christmas party peopled by thieves and murderers.

It’s been a while since I read a Christie mystery so it was jolly good fun to jump back in with Poirot and Miss Marple and kick around some theories about who done it.  I really enjoyed the fact that these were short stories too, because I’m feeling a bit overwhelmed with end of year busyness just now and the short tales meant that I didn’t have to remember names and roles across a whole novel.  I did get close to the answers in a number of the stories, guessing part, if not the whole solution, which is always satisfying and cause for a smug internal smile.  I also found it interesting that the TV adaption of Greenshaw’s Folly that I saw earlier this year (or it could have even been last year) was much more in depth than the story here.  It’s put me in just the right frame of mind to gear up for the The Murder of Roger Ackroyd that gets shown on telly here every Christmas Eve (or maybe the day before Christmas Eve).  I’d definitely recommend this if you’re looking for a mildly festive foray into murder in short, easily-digestible chunks.

Finishing this book is especially satisfying because I pulled it from my TBR shelf and so….that’s another chink from Mt TBR!

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Until next time,

Bruce

Mondays are for Murder: Magpie Murders…

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I’m bringing out the big guns for our sojourn into humanity’s dark underbelly today, with the much-anticipated new release Magpie Murders by Anthony Horowitz. We received our copy from Hachette Australia for review, and while the blurb is intriguing enough, it’s nothing compared to the twisty-turny-ness that goes on in the pages.  Here’s the blurb from Goodreads:

When editor Susan Ryeland is given the tattered manuscript of Alan Conway’s latest novel, she has little idea it will change her life. She’s worked with the revered crime writer for years and his detective, Atticus Pund, is renowned for solving crimes in the sleepy English villages of the 1950s. As Susan knows only too well, vintage crime sells handsomely. It’s just a shame that it means dealing with an author like Alan Conway…

But Conway’s latest tale of murder at Pye Hall is not quite what it seems. Yes, there are dead bodies and a host of intriguing suspects, but hidden in the pages of the manuscript there lies another story: a tale written between the very words on the page, telling of real-life jealousy, greed, ruthless ambition and murder.

From Sunday Times bestseller Anthony Horowitz comes Magpie Murders, his deliciously dark take on the vintage crime novel, brought bang- up-to-date with a fiendish modern twist.

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Plot Summary:

It’s going to be quite difficult to tell you much about the plot without disturbing the intended reading experience, so I’ll keep this bit brief.  Susan Ryeland is an editor at a semi-successful publishing house that is kept from going under mostly due to the best-selling titles of one Alan Conway.  Conway writes the wildly popular Atticus Pund detective series, and while he is a complete pill to work with – demanding, selfish and generally unpleasant – he nevertheless delivers on providing his manuscripts bang on time.  It is after Conway has dropped off the manuscript of the ninth book in the series, Magpie Murders, to Cloverleaf books, that life begins imitating art and secrets that have the potential to shed a whole new light on the books and Conway himself are both revealed and kept back.  Even though Conway’s books are keeping her in a job, Susan wishes she had never laid eyes on Conway or Atticus Pund.

The Usual Suspects:

Okay, this section isn’t going to work particularly well for this novel because in essence you are getting two mysteries for the price of one.  You see, one section of the novel is devoted to the manuscript – yes, the entire manuscript – of the ninth Atticus Pund novel, so the reader gets to experience a vintage-style, golden age of crime, sleepy English village mystery, written by Conway, as well as a contemporary amateur sleuth mystery, narrated by Ryeland.  Incredible value for money, when you think about it!  I can tell you that the Pund manuscript features all the usual suspects you would expect from a Christie-esque mystery: the Lord and Lady of the Manor, various lackeys in the form of housekeepers, groundsmen and their families, the village doctor, the sister of the Lord of the Manor, a Johnny-come-lately store owner, a shady Reverend and his wife, a young couple trying to make a go of things…

The Hunt for the Murderer/s:

Once again, there are two separate, but intertwined mysteries going on here, so I will focus on the Atticus Pund manuscript.  Again, this follows exactly the formula of a vintage British crime novel.  Atticus Pund is essentially Poirot, but German (indeed, Poirot, Marple and various other crime writers are mentioned throughout the contemporary part of the novel, and the reader is supposed to get the sense that the Atticus Pund series has been deliberately written in this style).  The detective and his young assistant come into town and question the appropriate people, Pund smugly lets on that he knows the answer to the mystery, the mystery is revealed in the typical fashion.

Overall Rating:

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Four poison bottles for the utter bewilderment of trying to solve two mysteries simultaneously

I’m finding it hard to really get to the nitty-gritty of this novel and express what I thought about its quirks and twists, because I don’t want to give anything away. There are two major plot points that I think would really detract from the reading experience if you were to find them out before reading the book, so if you know any reviewers who are fond of spoilers, it might be best to steer clear until you’ve read it.  Suffice to say that if you are a fan of murder mysteries of the contemporary or historical variety, you should definitely give this a go and see what you think, because the format will most likely be different to anything you’ve read before in this genre.

The story itself has layers upon layers, with puzzles and sideways references hidden throughout.  In terms of solving the mystery/s along with the characters, it is decidedly tricky to do because there are so many clues that are given piecemeal, or only make sense in the context of information that is revealed later.  Having said that, I certainly came across a few clues that had me thinking “Yes! I’ve got it!”.  I was proved wrong, of course, but not in the way I was expecting.

One of the strange things that I experienced, that most readers probably won’t have to contend with, is the fact that I was reading an uncorrected manuscript of an uncorrected manuscript, so I was trying to find clues where no clues were intended! My review copy was an ARC (or advanced readers copy, or uncorrected proof copy for the uninitiated) and therefore contained minor errors – typos mostly, and in one case, the wrong name assigned to a character – and as the Atticus Pund manuscript within the novel also contains minor errors (deliberately, I suspect, to make it look like a first draft manuscript), I was thinking that the errors in the contemporary bits might have some hidden meaning.

They didn’t.

But it certainly made reading the book a bizarre, code-cracking experience.

Horowitz has done a brilliant job of creating two complete mysteries within the one novel.  I enjoyed the Atticus Pund manuscript very much, given that it is in the vintage style that I prefer.  In fact, Horowitz has done such a good job with making Pund like Poirot that I wish he had been given charge of the new Poirot stories, rather than Sophie Hannah.  The contemporary part of the novel was a little bit slow for my liking, mostly because we have already been presented with what is essentially an entire book within the greater story, so I just wanted to hurry things along and get to the dual reveals.

Horowitz has proved once again what a fantastic mastery of writing he has with Magpie Murders.  We on the Shelf have long been fans of his work,  and although there were some parts of the book overall that don’t sit quite right with me on reflection, Magpie Murders is a wonderful, quirky and unexpected addition to the murder mystery section of the shelf that will have readers trying to puzzle out clues within clues.

Highly recommended.

Until next time,

Bruce