It’s time for a little YA and today’s book is a dark, shadowy tale of the power of nature and the puniness of humans. We received Fir by Sharon Gosling from the publisher via Netgalley and here’s the blurb from Goodreads:
We are the trees. We are the snow.
We are the winter.
We are the peace. We are the rage.
Cut off from civilization by the harsh winter of northern Sweden, the Stromberg family shelter in their old plantation house. There are figures lurking in the ancient pine forests and they’re closing in. With nothing but four walls between the Strombergs and the evil that’s outside, they watch and wait for the snows to melt.
But in the face of signs that there’s an even greater danger waiting to strike, it becomes increasingly difficult to distinguish reality from illusion. All they’ve got to do is stay sane and survive the winter…
I had high hopes for this one, given that it featured creepy trees – a collective character that, it must be admitted, surely doesn’t get enough coverage in YA – and a cold, dark setting that I hoped would be a mental escape from the unrelenting heat of Australian summer. Unfortunately I ended up DNFing at just over halfway, having given the book plenty of time to grab my attention and hold it.
The two biggest problems I had with this one were the slow pace and the stilted dialogue mixed with tedious monologue. I just couldn’t be bothered to stick around and find out what the trees were planning, or indeed, if they were planning anything at all and not just a figment of the narrator’s imagination. The suspense aspect takes its time in building up, which is perfectly forgivable, provided the characters around which the suspense is building are interesting enough to inspire a sense of protectiveness from the reader. I found most of the characters to be reasonably unlikable – the teen narrator is angsty and moody, the father is arrogant and stubborn and the mother is overly conciliatory – and so would have happily seen them eaten by trees …or whatever…and for this reason, somewhere along the line the suspense morphed into a sense of impatience and a desire for the trees to get on with eating the characters…or whatever.
The one character who was written to be off-putting, the housemaid Dorothea, actually turned out to be my favourite, simply because at least she had a bit of nouse about her. By the time I put the book down however, my feelings toward Dorothea had merged with my feelings for the hapless others and I would have been quite happy to have seen her eaten first…or whatever.
The setting was the definite standout of this story and set the appropriate tone of mild foreboding, and in some instances, blessed quiet. Had the pace of the book been a bit quicker or had I given a hoot about any of the characters, I probably would have finished this, but I just wasn’t enjoying it enough to keep snow-ploughing on.
Until next time,